The secrets of black arts! : $b A key note to witchcraft, devination [sic], omens, forwarnings, apparitions, sorcery, dæmonology, dreams, predictions, visions, and the Devil's legacy to earth mortals, compacts with the Devil! With the most authentic history of Salem witchcraftAnonymous
History
The secrets of black arts! : $b A key note to witchcraft, devination [sic], omens, forwarnings, apparitions, sorcery, dæmonology, dreams, predictions, visions, and the Devil's legacy to earth mortals, compacts with the Devil! With the most authentic history of Salem witchcraft
Anonymous
Occultism; Witchcraft
Bernard Peach testified, that once being in bed on a
Sabbath night, the widow Martin came into his room
through the window, and seizing him, drew up his body
into a heap and she then lay upon him about two hours,
but at last after a severe struggle he got two of her
fingers between his teeth and bit them until she cried out
with the pain and vanished. At another time when she
was after him he struck her or her spectre with his quarter-staff
and it was reported that she was wounded on
the head. So it was sworn that she once travelled from
Amesbury to Newbury on a rainy day without wetting
even the soles of her feet, and boasted that she scorned
to be drabbed. It was concluded in court that the devil
helped her on.
82
But the most wonderful story told on this occasion was
that of Joseph Ring; the man seems to have been a good
fiddler, whom the old charter witches and demons selected
for their peculiar use and amusement. He testified
that for two years past he had been strangely carried
about through the air to witch revels and dances; that
for a long time they had kept him dumb, but since they
began to be prosecuted he had in a measure recovered
his speech. His knowledge of them and their power over
him, began thus:
As he sat in his house one day, a stranger of suspicious
mien applied to him to give music to a company
of dancers on a certain evening; and whilst the timid
and distrustful fiddler hesitated, the proffer of a large
sum of money by the stranger, and which he too readily
accepted, induced him to make the desired promise and
immediately the man vanished so suddenly that Ring was
exceedingly startled and repented of what he had done;
but it was too late. At the appointed hour he found a
horse, well caparisoned, standing at his door; he took
the hint, but no sooner had he mounted into the saddle,
than the animal leaped into the air and pushed forward
with a velocity which deprived him of all consciousness
of time or distance and almost of existence itself. He
next found himself in front of a splendid building, with
lights from every part streaming out upon night’s darkness,
but from whence issued no sound of mirth or festivity.
Presently Goodman Ring was introduced into a
spacious hall, he screwed up his fiddle, began to play,
and then the dancing began in good earnest. At once a
preternatural influence came over him, and he was
amazed at the power of his own instrument, which
seemed to fill that ample hall to its very roof, and to
inspire dancing which he now plainly saw was superhuman.
It was here that he saw the widow Martin, the
prisoner at the bar, swinging and dancing among the
revellers, like a nimble maiden of eighteen; and he was
willing to swear to her identity.
Public-domain text, read in full here on John Shaqi.
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