The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
The old man took from his pocket a large black radish, trimmed it and
scraped it with a little knife, which also came from his pocket,
shredded it into thin strips, and laid them in order on the table. Then
he struck each of them a blow with his clenched fist; when they sprung
up, one by one, ringing, in the shape of gold coins, which he took up
and threw across to the goldsmith. But as soon as the goldsmith took
hold of one of those coins, it fell to dust, in a little shower of
crackling sparks of fire. This infuriated the old man. He went on
striking the radish-shavings into gold pieces faster and faster,
hitting them harder and harder, and they crackled away in the
goldsmith's hand with fierier and fierier sparks.
Tussmann was nearly out of his senses with fear and agitation. At last
he pulled himself together out of the swoon into which he was nearly
falling, and said, in trembling accents: "Really, I must beg, with all
due courtesy and respect, to say that I feel that I should much prefer
to bid 'Good-evening' on this occasion." And grasping his hat and
stick, he bolted out of the room as quickly as he could. When he
reached the street, he heard those two uncanny people setting up a
shout of screaming laughter after him, which made the blood run cold in
his veins.
CHAPTER II.
IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD
NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND
GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.
The manner in which young Edmund Lehsen, the painter, made acquaintance
with the mysterious goldsmith, Leonhard, was somewhat different to that
in which Tussmann had done so.
Edmund was one day sketching a beautiful group of trees in a lonely
part of the Thiergarten, when Leonhard came up, and, without any
ceremony, looked over his shoulder at what he was doing. Edmund did not
disturb himself, but went on with his sketch, till the goldsmith
cried--
"That is a most extraordinary picture, young gentleman. Those will come
to be something else than trees before you have done with them."
"Do you see anything out of the way, sir?" Edmund said, with flashing
eyes.
"I mean," said the goldsmith, "that there are all sorts of forms
and shapes peeping out from amongst those high leaves there, in
ever-changing variety: geniuses, strange animals, maidens, and flowers.
Yet the whole thing ought only to amount to that group of trees before
us there, through which the rays of the evening sun are streaming so
charmingly."
Public-domain text, read in full here on John Shaqi.
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