The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
"Sir!" Edmund answered, "either you have a very profound understanding,
and a most penetrating eye for matters of this kind, or I have been
unusually successful in portraying my inmost feelings. Don't you
perceive when, in looking at Nature, you abandon yourself to all your
feelings of longing, all kinds of wonderful shapes and forms come
looking at you through the trees with beautiful eyes? That was what I
was trying to represent to the senses in this sketch, and I see I have
succeeded."
"I understand," Leonhard said, rather coldly and dryly. "You wanted to
drop study, and give yourself a rest, to refresh and strengthen your
fancy."
"Not at all," Edmund answered. "I consider this way of working from
Nature is my best and most useful 'study.' Study of this sort enables
me to put the really poetic and imaginative element into my landscape.
Unless the landscape painter is every bit as much a poet as the
portrait painter, he will never be anything but a dauber."
"Heaven help us!" cried the goldsmith. "So you, dear Edmund Lehsen, are
going to----"
"You know me, then, sir, do you?" the painter cried.
"Why shouldn't I?" said Leonhard. "I first made your acquaintance on an
occasion which you, probably, don't remember much about; that is to
say, when you were born. Considering the small experience which you had
at that time, you had behaved very well--had given your mamma little
trouble--and as soon as you came into the world, gave a very pretty cry
of pleasure and delight. Also, you showed a great love for the
daylight, which, by my advice, you were not kept away from. Because,
according to the most recent medical opinions, daylight is far from
having a bad effect on babies, but rather is beneficial to their bodies
and their minds. Your papa was so pleased that he hopped about the room
on one leg, singing
'The manly heart with love o'erflowing,'
from Mozart's 'Flauto Magico.'
"Presently he handed your little person over to me, and asked me to
draw your horoscope, which I did. Afterwards I often came to your
father's house, and you didn't disdain to suck at the little bags of
almonds and raisins which I used to bring you. Then, when you were
about six or eight, I went away on my peregrinations. When I got back
to Berlin I saw with satisfaction that your father had sent you here
from Münchberg to study the noble art of painting; because there is not
a very large collection in Münchberg of works adapted for fundamental
study, either in the shape of pictures, statues, bronzes, gems, or
other art-treasures of value. That good native town of yours can
scarcely vie with Rome, Florence, or Dresden in that respect; or
perhaps even with what Berlin will one day become, when bran-new
antiques, fished out of the Tiber, have been brought to it in some
considerable quantity."
"Heavens!" Edmund cried, "the most vivid remembrances out of my
childhood are awaking themselves in my mind. You are Herr Leonhard, are
you not?"
Public-domain text, read in full here on John Shaqi.
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