The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
It was the desire to surround her expected child with bright and
beautiful objects here in this lonely spot where he was to live, that
had thus developed the young mother's taste, and each pleasing
innovation which she had effected in this gloomy, unattractive place,
had been planned merely with the purpose of providing a suitable setting
for this dear little eagerly expected child.
On the greensward in the carefully enclosed courtyard the child could
play as an infant. The porch would afford a healthful shelter in case it
rained or the sun was too hot. Later, when he outgrew his babyhood, he
could play and run about in the shady grove, under his mother's
watchful eye, and amuse himself by listening to the soft murmur of the
waterfall, or by watching it dance and sparkle along over the mossy
rocks. The limpid stream, kept at a uniform depth of barely two feet
now, held no dangers for the child, who, on the contrary, as soon as the
warm summer days came, could bathe, whenever the desire seized him, in
the crystal-clear water that filtered through a bed of fine gravel.
In this, as in many other details, as we shall see by and by, a sort of
inspiration seemed to have guided this young mother in her plan of
changing this untidy, ugly farmhouse into a cheerful and attractive
home.
At the date at which this story begins,--the last of the month of June,
1845,--the young mother had been residing in this farmhouse for
seventeen years. The shrubs in the courtyard had become trees; the
buildings were almost completely hidden under a luxuriant mantle of
flowering vines, while even in winter the walls and porch were thickly
covered with ivy; while in the adjoining grove the melancholy murmur of
the little cascade and the stream were still heard. The glass door of a
large room which served at the same time as a parlour for the mother and
a schoolroom for her son, now sixteen years of age, opened out upon this
grove. This room likewise served as a sort of museum--one might be
disposed to smile at this rather pretentious word, so we will say
instead a maternal shrine or reliquary, for a large but inexpensive
cabinet contained a host of articles which the fond mother had carefully
preserved as precious mementoes of different epochs in her son's life.
Everything bore a date, from the infant's rattle to the crown of oak
leaves which the youth had won at a competitive examination in the
neighbouring town of Pont Brillant, where the proud mother had sent her
son to test his powers. There, too, everything had its significance,
from the little broken toy gun to the emblem of white satin fringed with
gold, which neophytes wear so proudly at their first communion.
Public-domain text, read in full here on John Shaqi.
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