The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
These relics were puerile, even ridiculous perhaps, and yet, when we
remember that all the incidents of her son's life with which these
articles were associated had been important, touching, or deeply solemn
events to this young mother living in complete solitude and idolising
her son, we can forgive this worship of the past and also understand the
feeling that had prompted her to place among these relics a small
porcelain lamp, by the subdued light of which the mother had watched
over her son during a long and dangerous illness from which his life had
been saved by a modest but clever physician of Pont Brillant.
It is almost needless to say, too, that the walls of the room were
ornamented with frames containing here a page of infantile, almost
unformed handwriting, there a couple of verses which the youth had
composed for his mother's birthday the year before. Besides there were
the inevitable heads of Andromache and of Niobe, upon which the
inexperienced crayon of the beginner usually bestows such drawn mouths
and squinting eyes, apparently gazing in a sort of sullen surprise at a
pretty water-colour representing a scene on the banks of the Loire;
while the lad's first books were no less carefully preserved by the
mother in a bookcase containing some admirably chosen works on history,
geography, travel, and literature. A piano, a music-rack, and a
drawing-table completed the modest furnishings of the room.
Late in the month of June, Marie Bastien--for that was the name of this
young mother--found herself in this room with her son. It was nearly
five o'clock in the afternoon, and the golden rays of the declining sun,
though obstructed to some extent by the slats of the Venetian blinds,
were, nevertheless, playing a lively game of hide-and-seek, now with the
dark woodwork, now with the big bouquets of fresh flowers in the china
vases on the mantel.
A dozen or more superb half-open roses in a tall glass vase diffused a
delightful perfume through the room, and brightened the table covered
with books and papers, on either side of which the mother and son were
busily writing.
Madame Bastien, though she was thirty-one years of age, did not look a
day over twenty, so radiant was her enchanting face with youthful, we
might almost say, virginal freshness, for the angelic beauty of this
young woman seemed worthy to inspire the words so often addressed to the
Virgin, "Hail, Mary, full of grace."
Public-domain text, read in full here on John Shaqi.
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