The Seven Cardinal Sins: Envy and IndolenceSue, Eugène
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The Seven Cardinal Sins: Envy and Indolence
Sue, Eugène
French fiction -- Translations into English
Madame Bastien wore a simple dress of pale blue and white striped
percaline; a broad pink ribbon encircled her slender, supple waist,
which a man could have easily spanned with his two hands. Her pretty
arms were bare, or rather only slightly veiled with long lace mitts
which reached above her dimpled elbows. Her luxuriant chestnut hair,
with frequent glints of gold entangled in its meshes, waved naturally
all over her shapely head. It was worn low over her ears, thus framing
the perfect oval of her face, the transparent whiteness of which was
charmingly set off by the delicate rose tint of her cheeks. Her large
eyes, of the deepest and tenderest blue, were fringed with long lashes,
a deep brown like her beautifully arched eyebrows, while the rich coral
of her lips, the brilliant whiteness of her teeth, and the firmness of
her perfect arms were convincing proofs of a naturally pure, rich blood,
preserved so by the regular habits of a quiet, chaste life, a life
concentrated in a single passion, maternal love.
Marie Bastien's physiognomy was singularly contradictory in expression,
for if the shape of the forehead and the contour of the eyebrows
indicated remarkable energy as well as uncommon strength of will
combined with an unusual amount of intelligence, the expression of the
eyes was one of ineffable kindness, and her smile full of sweetness and
gaiety,--gaiety, as two entrancing little dimples, created by the
frequency of her frank smile a little way from the velvety corners of
her lips, indicated beyond a doubt. In fact this young mother fully
equalled her son in joyous animation, and when the time for recreation
came, the younger of the two was not always the most boisterous and gay
and childish by any means, and certainly, seeing the two seated together
writing, one would have taken them for brother and sister instead of
mother and son.
Frederick Bastien strongly resembled his mother, though his beauty was
of a more pronounced and virile type. His skin was darker, and his hair
a deeper brown than his mother's, and his jet black eyebrows imparted a
wonderful charm to his large blue eyes, for Frederick had his mother's
eyes and expression, as well as her straight nose, kindly smile, white
teeth, and scarlet lips, upon which the down of puberty was already
visible.
Reared in the wholesome freedom and simplicity of rural life, Frederick,
whose stature considerably exceeded that of his mother, was a model of
health, youth, and grace, while one seldom saw a more intelligent,
resolute, affectionate, and cheery face.
Public-domain text, read in full here on John Shaqi.
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