The Seven Periods of English Architecture Defined and Illustrated — John Shaqi
The Seven Periods of English Architecture Defined and IllustratedSharpe, Edmund
History
The Seven Periods of English Architecture Defined and Illustrated
Sharpe, Edmund
Architecture -- England -- History
Instead therefore of entering, as is usual in elementary works of this
nature, into a detailed account of all the parts of an Ecclesiastical
structure, a certain portion only of such a building has for this
purpose been selected, and so exhibited in the garb in which it
appeared at successive intervals of time, as to present to the reader a
means of comparison that will enable him readily to apprehend the
gradual change of form through which it passed from the Eleventh to the
Sixteenth Centuries, and at once to recognise the leading
characteristics of the several Periods into which it is here proposed
to divide the History of our National Architecture. Having thus fixed
these leading characteristics in his mind, he will then be in a
condition to follow us hereafter, if he pleases, into the detail of the
whole subject, and to become familiar with those niceties of
distinction, the detection of which--escaping, as they do, the eye of
the general observer--contributes so materially to the enjoyment of the
study, and a perfect acquaintance with which is so absolutely essential
to a correct understanding of the true History of the Art.
That this mode of approaching the study of this subject is a convenient
one, will probably be admitted by those who may remember the
difficulties they encountered, in their early attempts to acquire a
general conception of the scheme of the History of Church Architecture,
as given in most of the manuals now in use; and the complexity of
detail in which they found themselves immediately involved on the very
threshold of their inquiry.
It has been the practice in most elementary works on Church
Architecture to derive the illustrations of the subject, indifferently
from the smaller and the larger buildings of the Kingdom; and by
implication to assign an equal authority to both. It will be readily
admitted, however, that the History of an Art is to be gathered from
its principal Monuments, and not from those the design or execution of
which may have been entrusted to other than the ablest masters of the
Period: in the choice, therefore, of the examples which have been
selected to illustrate the series of changes which are described in the
following pages, reference has been made principally to the great
Cathedral, Abbey, and Collegiate Churches of the Kingdom, and
occasionally only to some of the larger Parish Churches whose size or
importance would seem to bring them under the above denomination.
CHAPTER II.
CLASSIFICATION.
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