The Seven Periods of English Architecture Defined and Illustrated — John Shaqi
The Seven Periods of English Architecture Defined and IllustratedSharpe, Edmund
History
The Seven Periods of English Architecture Defined and Illustrated
Sharpe, Edmund
Architecture -- England -- History
Church Architecture in England, from its earliest existence down to the
Sixteenth Century, was in a state of constant progress, or transition,
and this progress appears to have been carried on, with certain
exceptions in different parts of the country, very nearly
simultaneously. It follows from this circumstance, first, That it is
impossible to divide our National Architecture correctly into any
number of distinct _Orders_ or _Styles_; and secondly, That any
Division of its History into a given number of _Periods_, must
necessarily be an arbitrary one. It is nevertheless absolutely
essential for the purpose of conveniently describing the long series of
noble monuments which remain to us, that we should adopt some system of
chronological arrangement, which may enable us to group, and to
classify them in a distinct and intelligible manner: and although no
broad lines of demarcation in this connected series are discernible--so
gradual was the change--yet so rapid and so complete was it also, that
a period of fifty years did not elapse without a material alteration in
the form and fashion of every detail of a building.
Now it will be readily conceived that, even in the midst of this
continual change, certain favourite forms would remain in use longer
than others; and that this circumstance may possibly afford us the
opportunity of which we are in search; and enable us in the adoption
of any such arbitrary Division so to define and to characterise the
Architecture of its different Periods, as to render this Historical
Survey and our future descriptions sufficiently intelligible.
One principal Division of Church Architecture has been recognised and
adopted by all who have studied and written on the subject; that,
namely, which separates Ecclesiastical Buildings into two classes, in
the first or earlier of which the _circular arch_ was exclusively
employed; and in the second or later, the _pointed arch_ alone was
used. To the former of these two Classes, the term ROMANESQUE has been
given, and to the latter, the term GOTHIC.
This division is so simple, and at the same time so strongly marked,
that without entering into a discussion as to the value or propriety of
the terms themselves, and contenting ourselves with the fact that they
are already in general use, we can have little hesitation in adopting
this primary division as the groundwork of our system.
At the same time, it is manifest, that, for purposes of description, it
is not sufficiently minute; and that a further subdivision is
necessary: it is also clear, that it excludes a large class of
buildings that were erected during the period which intervened between
the first appearance of the pointed arch, and the final disappearance
of the circular arch.
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