His unruffled stepping-back from the arena of political activity was to
the more congenial activity of understanding and observation. But there
burned in him none of the observer’s, the thinker’s passion. He worked
as he rode or ate his breakfast. Work was part of the necessary fuel
that kept life’s flame bright. While he lived he didn’t want a feeble,
flickering flame. But at his heart, he was profoundly indifferent to
work, as to all else.
* * * * *
GAVAN’S mind, as he leaned back in the railway carriage, had passed over
the visual aspect of this long retrospect, not in meditation, but in a
passive seeing of its scenes and faces. Eppie’s face, fading in the
mist; Robbie, silhouetted on the sky; the sulky Grainger; his uncle; his
mother, and the vision of the spring day where he had wandered in the
old dream of pain and into its cessation; finally, Alice, her pale hair
and wistful eyes and her look when, at parting, she had said that they
might be together in heaven.
He had rarely known a greater lucidity than in those swift, lonely
hours of night. It was like a queer, long pause between a past
accomplished and a future not yet begun--as though one should sunder
time and stand between its cloven waves. The figures crossed the stage,
and he seemed to see them all in the infinite leisure of an eternal
moment.
This future, its figures just about to emerge from the wings into full
view, slightly troubled his reverie. It was at dawn that his mind again
turned to it with a conjecture half amused and half reluctant. There was
something disturbing in the linkage he must make between that child’s
face on the mist and the Miss Gifford he was so soon to see. That she
would, at all events in her own conception, dominate the stage, he felt
sure; she might even expect a special attention from a spectator whose
memory could join hers in that far first act. He was pretty sure that
his memory would have to do service for both; and quite sure that memory
would not hold for her, as it did for him, a distinct tincture of pain,
of restlessness, as though there strove in it something shackled and
unfulfilled.
One’s thoughts, at four o’clock in the morning, after hours of
sleeplessness, became fantastic, and Gavan found himself watching, with
some shrinking, this image of the past, suddenly released, brought
gasping and half stupefied to the air, to freedom, to new, strong
activity, after having been, for so long, bound and gagged and thrust
into an underground prison.
He turned to a forecast of what Eppie would probably be like. He had
heard a good deal about her, and he had not cared for what he had
heard. The fact that one did hear a good deal was not pleasing. Every
one, in describing her, used the word charming; he had gathered that it
meant, as applied to her, more than mere prettiness, wit, or social
deftness; and it was precisely for the more that it meant that he did
not care.
Public-domain text, read in full here on John Shaqi.
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