My grandfather and his widowered son Walter now comprised the Cleveland
household, but the memory of older times hung thickly over it. I still
disliked the place, and tried to get my researches done as quickly as
possible. Williamson records and traditions were supplied in abundance
by my grandfather; though for Orne material I had to depend on my uncle
Walter, who put at my disposal the contents of all his files, including
notes, letters, cuttings, heirlooms, photographs, and miniatures.
It was in going over the letters and pictures on the Orne side that I
began to acquire a kind of terror of my own ancestry. As I have said,
my grandmother and uncle Douglas had always disturbed me. Now, years
after their passing, I gazed at their pictured faces with a measurably
heightened feeling of repulsion and alienation. I could not at first
understand the change, but gradually a horrible sort of _comparison_
began to obtrude itself on my unconscious mind despite the steady
refusal of my consciousness to admit even the least suspicion of it.
It was clear that the typical expression of these faces now suggested
something it had not suggested before--something which would bring
stark panic if too openly thought of.
But the worst shock came when my uncle showed me the Orne jewelry in
a downtown safe-deposit vault. Some of the items were delicate and
inspiring enough, but there was one box of strange old pieces descended
from my mysterious great-grandmother which my uncle was almost
reluctant to produce. They were, he said, of very grotesque and almost
repulsive design.
As my uncle began slowly and grudgingly to unwrap the things, he urged
me not to be shocked by the strangeness and frequent hideousness of
the designs. There were two armlets, a tiara, and a kind of pectoral;
the latter having in high relief certain figures of almost unbearable
extravagance.
He seemed to expect some demonstration when the first piece--the
tiara--became visible, but I doubt if he expected quite what actually
happened. I did not expect it, either, for I thought I was thoroughly
forewarned regarding what the jewelry would turn out to be. What I did
was to faint silently away just as I had done in that brier-choked
railway cut a year before.
Public-domain text, read in full here on John Shaqi.
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