"We left London in a coach in order to see the remarkable places in its
neighborhood. The first was Theobald's, belonging to Lord Burleigh, the
Treasurer. In the Gallery was painted the genealogy of the Kings of
England. From this place one goes into the garden, encompassed with a
moat full of water, large enough for one to have the pleasure of going
in a boat and rowing between the shrubs. Here are great variety of
trees and plants, labyrinths made with a great deal of labor, a _jet
d'eau_ with its basin of white marble and columns and pyramids of wood
and other materials up and down the garden. After seeing these, we were
led by the gardener into the summer-house, in the lower part of which,
built semicircularly, are the twelve Roman Emperors in white marble and
a table of touchstone. The upper part of it is set round with cisterns
of lead into which the water is conveyed through pipes so that fish
may be kept in them and in summer time they are very convenient for
bathing. In another room for entertainment near this, and joined to it
by a little bridge, was an oval table of red marble."
Another and accurate picture of a stately Elizabethan garden is by a
most competent authority, Sir Philip Sidney (1554-86), who had a superb
garden of his own in Kent. In "Arcadia" we read:
"Kalander one afternoon led him abroad to a well-arrayed ground he had
behind his house which he thought to show him before his going, as the
place himself more than in any other, delighted in. The backside of the
house was neither field, garden, nor orchard; or, rather, it was both
field, garden and orchard: for as soon as the descending of the stairs
had delivered they came into a place curiously set with trees of the
most taste-pleasing fruits; but scarcely had they taken that into their
consideration but that they were suddenly stept into a delicate green;
on each side of the green a thicket, and behind the thickets again new
beds of flowers which being under the trees, the trees were to them a
pavilion, and they to the trees a mosaical floor, so that it seemed
that Art therein would needs be delightful by counterfeiting his enemy,
Error, and making order in confusion. In the midst of all the place
was a fair pond, whose shaking crystal was a perfect mirror to all the
other beauties, so that it bare show of two gardens; one in deed and
the other in shadows; and in one of the thickets was a fine fountain."
[Illustration: ITALIAN RENAISSANCE GARDEN, VILLA GIUSTI, VERONA]
VII
_Garden Pleasures_
There were many such splendid gardens. Shakespeare was familiar, of
course, with those of Warwickshire, including the superb examples at
Kenilworth, and with those in the vicinity of London.
Public-domain text, read in full here on John Shaqi.
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