The Elizabethans used their gardens in many ways. They took recreation
in them in winter and summer, and enjoyed the perfume and colors of
their flowers with an intensity of delight and appreciation rarely
found to-day. In their gardens the serious and the frivolous walked and
talked, and here they were frequently served with refreshments.
It was also a fashion to use the garden as a setting for masques and
surprises, such as those Leicester planned on a grand scale to please
Queen Elizabeth at Kenilworth. Several of Ben Jonson's entertainments
were arranged for performance on the terrace opening from house to
garden.
By looking into that mirror of the period, "Euphues and His England,"
by John Lyly (1554-1606), we can see two charming ladies in ruffs and
farthingales and a gallant in rich doublet and plumed hat walking in
a garden, and we gain an idea of the kind of "garden talk" that was
_comme il faut_:
"One of the ladies, who delighted much in mirth, seeing Philautus
behold Camilla so steadfastly, said unto him: 'Gentleman, what flower
do you like best in all this border? Here be fair Roses, sweet Violets,
fragrant Primroses; here be Gilliflowers, Carnations, Sops-in-Wine,
Sweet Johns, and what may either please you for sight, or delight you
with savor. Loth we are you should have a posie of all, yet willing
to give you one, not that which shall look best but such a one as you
shall like best.'"
What could _Philautus_ do but bow gallantly and say: "Of all flowers, I
love a fair woman."
"THE CURIOUS KNOTTED GARDEN"
I
_Flower Lovers and Herbalists_
THE Elizabethan flower garden as an independent garden came into
existence about 1595. It was largely the creation of John Parkinson
(1567-1650), who seems to have been the first person to insist that
flowers were worthy of cultivation for their beauty quite apart from
their value as medicinal herbs. Parkinson was also the first to make
of equal importance the four enclosures of the period: (1) the garden
of pleasant flowers; (2) the kitchen garden (herbs and roots); (3) the
simples (medicinal); and (4) the orchard.
One would hardly expect to find such esthetic appreciation of flowers
from Parkinson, because he was an apothecary, with a professional
attitude toward plants; and our ideas of an Elizabethan apothecary
picture a dusty seller of narcotics and "drams of poison," like the old
man to whom _Romeo_ and _Juliet_ repaired.
Public-domain text, read in full here on John Shaqi.
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