The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name — John Shaqi
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“You are going to play hob, you are,” said Mike, laughingly pushing
Shoshone back, while Mike and Snakes engaged in mimic battle for the
privilege of waiting upon “the Angel,” and finally dodged out the
bar-room door to reach the dining-room first. Helen stood for a moment
looking up to the great mountains beyond, with misty eyes, as she
thought, as she did every hour of her life:
“How I thank God that He let me live to find out it is never too late
to mend.”
Then she turned and went into the dining-room, where the four men
pressed her to eat until she declared she should never be hungry again
as long as she lived.
While they were in the dining-room, and Pierson and his party were
upstairs, there came toiling up the street a curious procession,
consisting of a bony horse covered with impedimenta, among which was
seated a slender, pale-faced boy. The horse was partly led, partly
dragged, by Morris Goldberg, himself dusty and unkempt.
His search had been long and wearisome, and it had exhausted nearly all
his funds, but he found a trace of the lost girl, and had followed it
as best he could, bringing with him the little boy, Loney.
Sometimes, when his money was completely gone, he would stop a few days
in a town and go to work mending such shoes as he could get to do, and
in that way they had managed to exist. Now, they had reached this spot,
and here Morris intended to remain while he sought for the mine, the
deed to which was in his possession.
There had been next to no vegetation on the last lap of this lonely
road, and the poor beast was ready to drop.
Morris Goldberg was out of his element in the mines, or, indeed,
anywhere but in a city. He was too credulous and too ignorant of the
way of life, and accepted all that was told him as truth. The cowboys
and miners living so far from refined amusements found a sort of
vicarious solace in “joshing greenhorns,” as they called it, and this
meant that every newcomer was the butt of their rough jokes and rougher
horse-play.
The way to this lonely hamlet was long, and bordered by ranges and
mines, and the men along the route had made him believe that unless
he wished to be killed as a tenderfoot he must dress and act like a
cowboy. At their last stopping-place the boys on a ranch joined in
the fun, and fitted the poor shoemaker out with a pair of long-haired
“chaps,” or leggings, and these they made him put on the wrong way.
This made locomotion difficult and awkward. He was prevailed upon to
wear a wide belt with four pistols. These the boys took good care to
see were loaded with blank cartridges.
Then the unsuspecting man was filled with stories of the dangerous
location toward which he was traveling, and had impressed upon him that
he must be always ready with his gun, and always try to shoot first, if
any trouble arose.
Public-domain text, read in full here on John Shaqi.
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