The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
Shrewd and clever as the shoemaker was in a city, dealing with his
customers, here he was nearly as helpless as little Loney. Yet he
had managed to reach thus far. He had seen and heard enough of the
high-sounding talk of the cowboys and miners, as they came into towns,
and promptly began imbibing the fiery liquor handed them, not to have
learned something of it, and he decided to call himself Wild Bill, the
Bull-man. He would not demean himself to call himself a cowboy. Not he.
He hoped to strike terror into the hearts of any vicious characters
with whom he might come in contact.
As the man, boy and horse reached the rail and post set aside for the
convenience of riders to tie their horses, Morris lifted the boy out
from among the pots, pans, tent, and shoemaker’s kit, and stood the
weary little fellow down on his wavering legs. As the horse began to
nose about, looking for some sign of grass or other food, one could see
a sign attached to his tail, the only available place left after all
other things were packed on, to notify everybody that this outfit was
that of “Morris Goldberg, shoemaker.”
There was no one in sight, all the men being in the dining-room with
Helen, and Pierson’s party upstairs. Loney looked about, and read:
“Dead Man’s Gulch Saloon.”
“Vell, it is a goot place to come, Loney. It is Dead Man’s Gulch, and
dot’s me. I am so nearly deat dot I can hartly hear mine own voice.”
“I’m glad we’ve come to some place. I’m awful hungry, and I guess Jake
is hungry, too.”
“Ve vill get somedings soon, Loney. Und dot horse! Vot kint of a horse
are you, anyway? You vant to eat all de time. Don’t I feed you und
now you are not carrying me, und I pull you up de hills. You are vort
nodings. If I vos to sell you, I vould git nodings but de price of de
shoes--for olt iron. But nefer mind, Jake, I vill not see you starf.
Now, here is de last bag of oats. Eat ’em und be happy. You’re a pretty
goot fellow, after all, und if you die I vill make your hide into de
shoes you haf maket me vore out pulling you along. Come away, Loney;
meppe he vill fall ofer on you.”
“Oh, he is only tired, and I guess horses need more oats and grass
than we think. But why do you wear so many pistols, Mr. Goldberg?”
“Hush! Vot dit I told you about calling me dot name? I am Vilt Bill, de
Bull-man, now. Hafen’t I told you dot ve are now in de Vest, among de
bad mens und I must be a bad mans, too? Now, Jake, don’t you eat any
more dust. If you do, und drink vater on top of it, your name vill be
mud.”
“Aren’t you sorry you brought me along to look for Dora, Mr. Gold----,
I mean Wild Bill, the Bull-man? I’m a lot of trouble, ain’t I?”
Public-domain text, read in full here on John Shaqi.
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