The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Drouble nodings! You are a fool. You are vorking for me, und you don’t
know it. Do you t’ink I vould let you stay dere alone in New York to
starf? No, sir! I vould not let Somolus Levinsky get from me mine
errant-boy. Not since I dit loset mein Dora. I must haf some chilt
arount me, or I shall go grazy. Dere! dere! dake de hoss out dere und
find him some grass or someding. You must vork und earn your vages.”
“All right, Mr. Wild Bill,” said Loney, smiling, for he knew well that
the shoemaker would not starve or overwork man or beast.
While the child was leading the weary horse toward a trough which
received its water from far up the mountains, a tall Indian, in full
chief’s dress--feathers and all--stood on the edge of the path to the
run. The boy, being on the farther side of the horse, did not see the
Indian, who stood with folded arms looking at the child, then at the
poor horse and lastly at the surprising “get-up” of the shoemaker.
The latter looked at his leggings and belt with pardonable pride, then
felt of his four pistols, one by one, and, wishing to keep up the
delusion of his own greatness, he strutted about a little, at the same
time saying:
“I shall see if I can remember de vay to shout. Ee--you! I am de Vilt
Bill, de Bull-man. I am de pest shoemaker--na--na--dot is not it. I am
de rink-tail squealer of de cook-stofe--no, I mean range. I am de----”
Here the “bad man” happened to get a view of Red Eagle, the Indian,
which at first paralyzed him. Then he rallied and drew one of his
pistols and, with the bravery of a “well-heeled” man, he took a step
forward, saying, with growing courage:
“Dot is Hiawatha. Gif me a pack of cigarroots.”
As he said this, Morris held out his hand, whereat the Indian held out
his own hand, saying, in a guttural voice:
“Ugh!”
“Vot’s dot?” asked the bad man.
“Ugh!” repeated the Indian.
“Is dot a man or a cow? Vot for a kind of talk is dot?”
“Ugh, ugh, ugh!” was the Indian’s reply.
“Vere is your pain, mein friend?”
“Got no pain--want firewater,” said the Indian, stolidly.
“Vell, vot do you t’ink of dot?” said Morris aloud, “vanting fire und
vater hot, togedder.”
The noble redman then pointed to the formidable array of pistols and
said, solemnly:
“Ugh! pale-face heap big chief. Give Injun tobac.”
“I vill gif you nodings. Go to your own cigar-store und get it.”
The big Indian must have had a fine sense of humor, as he said,
pointing to the bony horse that was drinking as if he would never stop,
with a majestic wave of his hand:
“Big chief got fast horse.”
“Fast! I dink so. He didn’t eat nodings put dust for two veeks--only a
little oatses, und stickses, vot dey calls crass out here.”
“Chief better tie horse. He run away.”
“Don’t pe afrait. You vant to puy him?”
“Injun no buy horse. Injun got fast ponies. No can beat.”
“Mein horse is fast, too--ven he is tied to de ground.”
“Injun race ponies ’gainst horse for firewater and tobac.”
Public-domain text, read in full here on John Shaqi.
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