The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Be careful, Muriel, or you’ll fall,” said the man, whose name was John
Pierson. “Why the deuce can’t you wear sensible shoes, anyway? You’ll
break your neck with those high heels yet!”
As they reached the middle of the room, Muriel laughed idiotically and
mumbled something about him and accused him of trying to appear so
“su-su-perior, just because I kicked my heel off.”
“So this is the place, eh?” asked Pierson of Dopey, looking about him
curiously at the same time. Dopey took on an air of great importance
and replied, huskily:
“Dis is de j’int. It’s on de bum, all right, all right, but it’s de
nearest shoemaker dere is, but----”
“Oh, that’s all right. Any old port in a storm, you know,” stammered
Muriel, and, as she saw Dora, she said: “Who you, m’ dear?”
“Dora Goldberg, lady.”
“And who is the other girl? Your sister?”
“There is no one else here but me,” replied Dora, surprised at the
question.
“That’s funny. I must be seeing double. Last bottle gone to my head.
Time to quit. All your fault, John Pierson--all your fault, not mine,”
muttered the woman, with a maudlin laugh, staggering at the same time
so that Dora thought she was falling. She hastened to bring a chair,
where the woman tried to seat herself with extreme gravity, while Dora
said:
“Don’t thank me, lady. I’ll go and hurry father. Please have the
kindness to wait. I won’t be long.”
Dora tripped lightly up the steps and to the street, while Muriel
settled herself into the chair and dozed almost at once. In the
meantime Pierson silently watched Dora disappear, and then, turning to
Dopey, said, in a low voice:
“You are right. She is both young and beautiful.”
“Yes, cull, and poor; jes’ as poor as a choich mouse. Show her some
shines--dimints, I mean. Tell her about de glad rags, de nags and de
chariot--and, soy, dere’s nuttin’ to it!”
“Hush! Not so loud,” replied Pierson, looking toward Muriel, which
caused him to speak in a much lower tone as he gave his very
unfavorable opinion of the intoxicated woman, comparing her to a bunch
of wildcats. Suddenly Muriel roused and began to sing, in a drowsy
voice, the words of a drinking-song. Pierson rudely ordered her to
“shut up,” which had no other effect than to make the woman repeat her
song in a louder voice.
“Oh, I say, for heaven’s sake, keep still! Of all the disgusting things
on earth, a drunken woman is the worst,” said Pierson angrily, while he
stamped his foot in rage.
“Ah!” said she, acridly, “and how about a drunken man? Is there such a
wide difference?”
“I never took a drink in my life and you know it, Muriel Hamilton.”
“Well, I don’t count you a man. You are a beast, you are!”
“Thanks, awfully,” replied he, bowing scornfully.
Muriel tried to rise and bow, but fell back in the chair with a silly
laugh. “Oh, you are welcome. Gee! I nearly fell off my perch. Steady,
birdie, steady!”
Pierson strode back and forth in the little place, finally stopping
before the woman, saying:
Public-domain text, read in full here on John Shaqi.
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