The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“You may as well understand this, now, Muriel. I am sick and tired
of the way you are going on. I know I’ve done some things that would
not stand the light of day exactly, but I never drank. I’ve committed
some crimes, but drunkenness has never been one of them, and I hate
liquor. I tell you this, right now: you’ve got to sober up and stop
drinking--or--I’ll quit you cold.”
At this open threat, Muriel sat up straight and looked at the man
half-defiant, half-scared. He maintained his coldly resolute look,
while she scanned his face, and then half-laughed:
“By heaven! I believe you mean it. Just you try it on, Jack Pierson.
Just you try it on, that’s all!”
“I’ll take a stroll. I needs de fresh air. It’s de sidewalk fer mine,”
said Dopey, uneasily. He had seen too many drunken fights to wish to
see another, especially with a powerful woman like Muriel. But Jack
went to him and muttered:
“You stay here. I’ll have it out with her here and now. I want to make
room for the other one.”
“Ah,” said Muriel, as she rose almost steadily and advanced, “any
secrets that I cannot know?”
“No, there is not. I was just telling him that I am sick of your
constant sprees and temper. That’s all, and I mean it.”
“Ah,” said Muriel, advancing and with a dangerous light in her eyes,
“and, I suppose, you meant it when you deserted your honest wife for
me, and when you struck your child, and killed him, for all you know.
Yes, you must have meant both those things; as you never took a drink
in your life, you had not even the excuse of drunkenness. Mine was a
new face then, and now that the liquor that you gave me to gain your
ends has got the best of me, you’ll quit me cold, will you? Then, let
me tell you, when you do it will be cold for you, for you will be dead!”
“’Scuse me, cull, I hear me mudder callin’ me, an’ I has to go,” said
Dopey.
“Go to the devil, if you want to,” replied Pierson angrily.
“Dat’s jes’ where I don’t want to go. Her jigs is up to de boilin’
point, an’ all dem sharp shoe-knives lyin’ dere. See me eye. She put
dis on it last night. One’s enough fer me.”
“Now, Dopey, I’m sorry I hit you, honest I am. Say, Jack, you don’t
know what sent me on this spree, do you?” said Muriel.
“I don’t know and I don’t care,” replied Jack coldly. “There is no
excuse for it.”
“Yes, there is, I saw your forsaken, heart-broken wife slinking along
in the street--a wreck, a ragged, gin-soaked wreck--and I couldn’t
help remembering what she was when we robbed her, you and me. She was
honest and true, and, as I looked at her, the sight sickened me, body
and soul. I drank to forget it.”
“Why do you mention her to me. I have never seen her since, and never
want to.”
“Nor the boy, either? Poor little half-witted fellow. Give me credit
for one thing--I wanted to keep him and care for him, but, no, you
robbed his mother of him and put him in the asylum. These things haunt
me, Jack. Even drink will not blot them out.”
Public-domain text, read in full here on John Shaqi.
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