The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
“Rot! That’s nothing but the drink. My ex-wife should have stayed in
the West. She was so pretty and pure and honest that she actually led
me to marry her. I hated her for that from the first.”
“Yours is coming to you, Jack, and you’ll get it good and plenty if
ever her brother sets eyes on you. Those cowboys know how to shoot,”
laughed Muriel meaningly.
“Don’t try to frighten me. William Hunter, or ‘Cactus Bill’ Hunter,
as they called him, is dead. I had a letter telling me that he has
disappeared, so I’m not afraid.”
“Maybe--and maybe not. But, if ever you two do meet, you’d better get
your gun-play in first. So, then,” she continued, in a softer tone,
“you want to quit your old pal? And just after my being up all night
on the Bowery, helping you fleece this ‘come on.’ Not much gratitude!”
“Ah, forget it,” said Pierson roughly, changing his tone and manner
suddenly, as he saw Dora returning with Loney. The young girl hastened
down the steps, flushed and rosy with her hurried search.
“My father is coming. I hope we did not keep you waiting too long.”
Muriel had sat down again in the chair, and her head had fallen forward
drowsily, while John, with a side look at Muriel, said to Dora:
“No, my little dear, I am repaid for the long wait by seeing you again.
Don’t you ever get tired of this musty old cellar? Wouldn’t you like
to live in a fine house, with servants to wait upon you, and have
beautiful diamonds and clothes to wear?”
“Oh no, sir! I would not leave papa and Bennie for all the fine houses
and jewels in the world. And, besides, we don’t _live_ in the cellar.
We only work here. We live upstairs.”
While this little conversation was taking place, Muriel had roused
again, but this time her eyes were fastened upon little Loney, who had
begun to wax some threads for the shoemaker. This was a task that he
delighted in doing. He had been told that it was a great help to the
kind old man. Muriel, after staring at the child, asked what his name
was. The little fellow looked at her in a vague manner as he said:
“Loney, lady. Just Loney. That’s all the name I know.”
As the pretty, though vague, eyes were raised to hers, Muriel gave a
start, saying to herself:
“Those eyes! That look in them. It is he without a doubt.”
The hardened woman gave a deep sob which, with Dora’s calm refusal of
all he offered her, made John angry, and he said, roughly shaking her
at the same time:
“What’s the matter with you, you idiot?”
“Nothing,” replied she, “only my sins are finding me out. That is all.”
Further conversation was checked by the arrival of Morris Goldberg, who
came quietly down the cellar-steps to his shop.
Public-domain text, read in full here on John Shaqi.
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