Free from unwarranted superstition though I am, these things produced in me an odd sensation, which was intensified by a pair of widely separated newspaper cuttings relating to deaths in the shunned house--one from the _Providence Gazette and Country-Journal_ of April 12, 1815, and the other from the _Daily Transcript and Chronicle_ of October 27, 1845--each of which detailed an appallingly grisly circumstance whose duplication was remarkable. It seems that in both instances the dying person, in 1815 a gentle old lady named Stafford and in 1845 a schoolteacher of middle age named Eleazar Durfee, became transfigured in a horrible way, glaring glassily and attempting to bite the throat of the attending physician. Even more puzzling, though, was the final case which put an end to the renting of the house--a series of anemia deaths preceded by progressive madnesses wherein the patient would craftily attempt the lives of his relatives by incisions in the neck or wrist. This was in 1860 and 1861, when my uncle had just begun his medical practise; and before leaving for the front he heard much of it from his elder professional colleagues. The really inexplicable thing was the way in which the victims--ignorant people, for the ill-smelling and widely shunned house could now be rented to no others--would babble maledictions in French, a language they could not possibly have studied to any extent. It made one think of poor Rhoby Harris nearly a century before, and so moved my uncle that he commenced collecting historical data on the house after listening, some time subsequent to his return from the war, to the first-hand account of Doctors Chase and Whitmarsh. Indeed, I could see that my uncle had thought deeply on the subject, and that he was glad of my own interest--an open-minded and sympathetic interest which enabled him to discuss with me matters at which others would merely have laughed. His fancy had not gone so far as mine, but he felt that the place was rare in its imaginative potentialities, and worthy of note as an inspiration in the field of the grotesque and macabre.