"Of course, why shouldn't it?" Martin stammers in consternation. He
shakes his head, looks down thoughtfully for a while, then says, with
an uneasy laugh: "Go to bed, Johannes.--That broken mill-wheel is
haunting your imagination."
Next day Trude is lying ill in bed. She will see no one--even Martin as
little as possible. Johannes slinks about unable to settle down to
anything. Their meals are taken in monotonous silence. The shadows
close down more and more round the Rockhammer mill.
But the sun breaks forth once more. On the fourth day Trude is half-way
convalescent again, and Johannes may go into her room for a talk with
her.
He finds her sitting at the window, with a white dress lying across her
lap. She is pale and weak yet, but her features are glorified by an
expression of peaceful melancholy such as convalescents are apt to
wear.
Smiling, she puts out her hand to Johannes.
"How are you now?" he asks softly.
"Well--as you see," she replies, pointing to the white dress; "my
thoughts are already occupied with the ball."
"What ball?" he asks, astonished.
"What a bad memory you have!" she says with an attempt at a joke. "Why,
next Sunday is the rifle-fete."
"Yes, so it is."
"Perhaps you're not even looking forward to dancing with me?"
"Indeed I am!"
"Very much?--Tell me! Very much?"
"Very much!"
A child-like smile of pleasure flits across her pale, delicate face;
she fingers the laces and frills, with undisguised delight at the
white, airy texture.
This physical exhaustion seems to have restored to her mind its former,
child-like harmlessness, and with a certain degree of anxiety she
begins to enquire about her dancing shoes. She is once more, to all
appearance, just the same girlishly thoughtless creature who once put
out her hand with such unconstrained simple-heartedness to bid Johannes
welcome.
He sits down opposite to her, lets the texture of the ball-dress glide
through his fingers, and listens to her prattling with a quiet smile.
And everything she tells him is replete with sunshine and the very joy
of existence. This had been her wedding dress which she had made and
trimmed herself, for she could do that as well as anybody. She would
have liked to wear silk, as befitted the bride of the rich miller
Rockhammer, but she could not scrape together sufficient money, and as
for letting her intended give her her wedding dress--well, her pride
would not permit that. To-day she felt almost sorry to undo the seams,
for how many foolish hopes and dreams were not sewn into them?--But
what else could she do?--she had got so much stouter since she was a
married woman.
Then the conversation flies off at a tangent to the approaching
rifle-fete, touches on her new acquaintances in the village and
occasionally wanders off to the shoemaker's place in the town; but ever
and again she comes back to the time of her engagement and tarries over
the moods and events of those blissful days.
Public-domain text, read in full here on John Shaqi.
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