For a long time Johannes keeps on staring at the place where she has
disappeared.--A cold shiver which runs through him from head to foot
rouses him at length. Absentmindedly he slinks across the moonlit
yard,--strokes the dogs that with joyous barking drag at their
chains,--casts an indifferent glance towards the motionless mill-wheel,
beneath the shadows of which the waters glide along like glittering
snakes. Some indefinable impulse drives him forward and away. The
ground of the mill-yard burns beneath his feet. He wanders across the
meadows, back to the weir--to the spot where he was sitting with Trude.
On the grass there gleams her blue silk shoe, and not far from it lies
her long, fine stocking. So she must have limped home with her bare
foot and probably is not even conscious of the fact! He breaks into a
shrill laugh, takes up both and flings them far into the foaming
waters.
Whither shall he turn now? The mill has closed its portals upon him
forevermore. Whither can he go now? Shall he lay himself down to rest
under some haystack? He cannot sleep even if he does. Stay! He knows of
a jolly set of fellows--though he despised them a little while ago,
they will just suit him now.
When, at two o'clock in the morning, Martin Rockhammer has shaken
himself free of his drinking companions and is stepping, in the
happiest of moods, out on to the festival ground, when the bluish-gray
light of dawning day is beginning to illumine the doings of these
night-birds, he is met by a band of drunken louts, who, singing obscene
songs, break in single file through the ranks of the promenading
couples. They are headed by the locksmith Garmann, a fellow of bad
repute who practices poaching by night and in whose train now follow
other good-for-nothing scamps. Intending to turn them out of the place
forthwith, Martin steps towards them. But suddenly he stops as if
turned to stone; his arms drop down at his sides: there in the midst of
this crew, with glassy eyes and drunken gestures staggers his brother
Johannes.
"Johannes!" he cries out, horrified.
He starts back; his drink-inflamed face grows ashy pale; a frightened
gleam flickers in his eyes--he trembles--he stretches forth his arm as
if to ward him off--and staggers back--two--three paces. Martin feels
his anger disappear. This picture of misery arouses his pity. He
follows after Johannes, and, taking him by the arm, he says in loving
tones: "Come, brother; it is late, let us go home." But Johannes
shrinks back in horror at the touch of his hand, and fixing his gaze
upon him in mortal agony, he says in a hoarse voice: "Leave me--I do
not wish to--I do not wish to have anything more to do with you--I am
no longer your brother." Martin starts up, clutches with his two hands
at the slab of the table near him and then drops down upon the nearest
bench as if felled by the stroke of an axe.
Johannes, however, rushes away. The forest closes in upon him.
Henceforth come sad days for the Rockhammer mill.
Public-domain text, read in full here on John Shaqi.
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