When Martin reached home on that morning, when he found the whole house
quiet, as quiet as a mouse, he took the key of the mill from the wall
and slunk off to that melancholy place which he had built up as the
temple of his guilt. There his people found him at midday, pale as the
whitewashed walls, his head bowed upon his hands, muttering to himself
incessantly: "Retribution for Fritz! Retribution for Fritz!" The
phantom, the old terrible phantom, which he had thought was laid for
evermore, has cast itself upon him anew and is twining its strangling
claw about his neck.
The men had to drag him almost by force from his den. With weary,
halting steps he staggered out of the mill. His wife he found crouching
in a corner, with hollow cheeks and gaunt, terrified eyes. Then he took
her face between his two hands, looked for a while with stern looks at
the trembling woman, and once more murmured the mournful refrain:
"Retribution for Fritz! Retribution for Fritz!"
When she heard his ominous words, a cold shiver ran through her frame.
"Does he know? Does he not know? Has Johannes confessed to him! Has he
found out by chance? Does he perhaps only suspect?" Since that time her
soul is fretting itself away; her body repines in fear of this man and
in yearning for that other, whom love of her has driven away. She grows
pale and thin; her cheeks fade. She steals about like a somnambulist.
Round her eyes bluish grooves are outlined, and grow broader and
broader, and about her mouth is graven a tiny wrinkle which keeps on
twitching and moving like a dancing will-o'-the-wisp.
Martin remarks nothing of all this. His whole being is absorbed in
sorrow for his lost brother. During the first few days, he has hoped
from hour to hour for his return--hoped that he was possibly quite
unconscious of the words he spoke in the madness of intoxication. As
for him--he would verily be the very last to remind him of them. But
when day after day passes without any news of Johannes, his fear grows
more and more terrible, he begins to search for the lost one;--at first
with little result, for the intercourse between one village and the
next is very slight. But gradually one report after another reaches the
mill. To-day he has been seen here, yesterday, there--erring restlessly
from place to place but always surrounded by a band of merry-makers.
The people call him "Madcap Hans," and, wherever he appears, the
public-house is sure to be full--corks fly and glasses clink, and
sometimes, when things become specially lively, the window-panes clink
too, for the bottles go flying out through them into the street. Keep
it up! "Madcap Hans" will pay up for the whole lot. He will stand treat
to any one he happens to come across, and there are boisterous songs
and comic anecdotes fit to make one's sides split with laughing. Yes,
he's a fine bottle-companion, is "Madcap Hans."
Public-domain text, read in full here on John Shaqi.
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