And there, at the top end of the long, roughly-hewn table, with flabby
cheeks, with his eyes all red and swollen, with that glassy stare
habitual to drunkards, with matted, unkempt hair, with a dirty
shirt-collar and slovenly coat to which hang blades of straw--perhaps
the reminders of his last night quarters--there that picture of
precocious vice and hopeless ruin, that, that is all that remains to
him of his darling, of his all in all ...
"Johannes!" he cries, and the driver's whip which he holds in his hand
falls clattering to the ground.
A dead silence comes over the densely crowded room, as the tipplers
gaze openmouthed at this intruder. The wretched man has started up from
his seat, his face petrified with nameless fear, a hollow groan breaks
from his lips; with one desperate leap he springs upon the table; with
a second one he endeavors to reach the door over the heads of those
sitting nearest to him.
No good! His brother's iron fist is planted upon his chest.
"Stay here!" he hears close to his ear in angry, muffled accents;
thereupon he feels himself being pushed with superhuman strength
towards the fire-corner, where he sinks down helplessly.
Then Martin opens the door as far as ever its hinges will allow, points
with the butt-end of his whip towards the dark entry and plants himself
in the middle of the taproom.
"Out with you!" he cries in a voice which makes the glasses on the
table vibrate. The tipplers, most of them green youths, retreat in
terror before him, and hastily don their caps; only here and there some
suppressed grumbling is heard.
"Out with you!" he cried once more and makes a gesture as if about to
take one of the nearest grumblers by the throat. Two minutes later the
taproom is swept clear ... only the innkeeper remains, standing half
petrified with fear behind the bar; now, when Martin fixes his gloomy
gaze upon him, he begins to complain in a whining tone of this
disturbance to his business.
Martin puts his hand in his pocket, throws him a handful of florins and
says: "I wish to be alone with him."
When he has bolted the door after the humbly bowing innkeeper, he walks
with slow steps towards Johannes, who is crouching motionless in his
corner, with his face buried in his hands. He places his hand gently
upon his shoulder and says in a voice in which infinite love and
infinite pain tremble: "Rise up, my boy; let us talk to one another."
Johannes does not stir.
"Will you not tell me what grievance you have against me? It will do
you good to speak out, my boy! Relieve your feelings, my boy!"
Johannes drops his hands and laughs hoarsely: "Relieve my feelings!
Ha-ha-ha!" That secret terror that distorted his features before as
with a cramp has now changed to dull, obstinate stubbornness.
Public-domain text, read in full here on John Shaqi.
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