The Singing Church: The Hymns It Wrote and SangLorenz, Edmund S. (Edmund Simon)
Religion
The Singing Church: The Hymns It Wrote and Sang
Lorenz, Edmund S. (Edmund Simon)
Hymns -- History and criticism
In a less formal class are Van Dyke’s “Joyful, joyful, we adore Thee,”
Grant’s “Oh, worship the King, all-glorious above,” “Praise the Lord!
ye heavens, adore Him,” and many others in which rejoicing in the Lord
takes a less majestic but none the less genuine form, fitting smaller
assemblies and what without derogation may be called ordinary church
services.
Hymns of still another class, represented by Robinson’s “Come, Thou
Fount of every blessing,” Wesley’s “O Love divine, how sweet Thou
art,” Keble’s “Sun of my soul, Thou Saviour dear,” are still
distinctly worshipful, but have an intimacy of communion in which
tenderness and joy veil the sense of infinite majesty.
The foregoing classes of worshipful hymns are available for the
regular services of the church, although some of them call for a
preparation of the worshipers for their intelligent and sincere
singing. They are helpful to devout people in their approach to the
Triune God.
Jesus Christ is not only God in the fullest, truest sense; he is our
Redeemer, our Mediator, our Sharer of the deeper experiences of the
soul, our Comrade in the march of life, our intimate Friend in time
and eternity. Hence, there are many hymns of praise and adoration of
Jesus Christ that are elevated in mood, even majestic, like Wesley’s
“Oh, for a thousand tongues to sing,” Robinson’s “Mighty God, while
angels bless thee,” Hammond’s “Awake and sing the song,” which will
fit into the most exalted service of worship. There are many others
like “Fairest Lord Jesus, Ruler of all nature,” Medley’s “Oh, could I
speak the matchless worth,” Havergal’s “O Saviour, precious Saviour,”
which are keyed a little lower, but are still most appropriate for an
average church service.
In addition to these there are hymns of communion with Christ, of love
for and delight in him, yea, even of intimate affection, like
Caswall’s “My God, I love Thee, not because,” Newton’s “How sweet the
name of Jesus sounds,” Palmer’s “My faith looks up to Thee,” which are
so fine in feeling, so heartfelt, so intimate, that they require
preparation of the congregation before they can be sung sincerely.
Some of them are so intense, like “I need Thee every hour,” “My Jesus,
I love Thee, I know Thou art mine,” and Palmer’s “Jesus, these eyes
have never seen,” that their use seems limited to assemblies, small or
large, entirely made up of earnest believers. Indeed, there are many
of our intensest hymns of devotion to our Lord Jesus Christ that can
be worthily sung only in prayer meetings where there is profound
emotion to be expressed. Some of them cannot be sung by the general
congregation except when the tide of religious fervor runs high.
Public-domain text, read in full here on John Shaqi.
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