England -- Social life and customs -- Fiction; Gossip -- Fiction; Man-woman relationships -- Fiction; Villages -- Fiction
Picture a low-ceilinged, mullion-windowed room, hung with faded red
curtains, carpeted with gray drugget, embellished with sundry
oil-paintings of dingy landscapes and impossible rusticities. Four
high-backed oak chairs stood stiffly round the heavy mahogany table. A
tattered rug thresholded the fireless grate. An escritoire stood against
one wall, a melancholy bookcase against another. A cheap French clock on
the mantel-piece chided the prodigal hours. On either side Romanesque
warriors in bronze straddled impetuous chargers.
By a window, whose lozenged panes were swept by festoons of ivy, Zeus
Gildersedge sat in a cane-backed arm-chair. An antique round table stood
beside him, bearing a decanter of claret, a small phial of laudanum, a
couple of glasses, a tobacco-jar, ink-pot, and quill pen. He was a
short, spare man, clad in rusty gray, collarless, dishevelled, unkempt
as to beard and poll. The slant light of the western sun seemed to
impress a peculiar pallor upon his waxen face. There were numberless
wrinkles about his gray eyes, with their minutely contracted pupils. His
mouth ran a hard, tense, anæmic line under his large nose. Eyebrows and
beard were bushy, leonine, barbaric. A lethargic arrogance appeared to
possess the man, a mean, self-centred torpor that seemed in actual
harmony with the atmosphere of the room.
Zeus Gildersedge was figuring lazily on the back of a dirty envelope,
the cuffs of his gray shirt hanging unbuttoned over his bony wrists. A
financial journal lay open on his knees. Now and again he would yawn
soundlessly, and sip the glass that held the brown-red Lethe that he
loved. As he scribbled, his hands quivered slightly. Hunched in his
chair he looked like some sinister troll concocting mischief over his
cups.
On a sudden some subtle savor assailed his nostrils, a steaming scent of
sacrifice that caused Zeus Gildersedge to straighten alertly in his
chair. He sniffed the air with his big, carnivorous nose. The paper,
with an expostulatory murmur, slipped from his knees to the floor.
“Onions, is it!”
A more vigorous investigation approved the villany.
“Damn that woman! She’s always cooking two vegetables, the glutton!”
He rose and rang the bell, and stood listening to the solitary clangor
that came echoing through the silent house. The sordid minutiæ of his
avaricious household were ever weighing on the man’s mind. Zeus
Gildersedge could break his heart, or his apology for that organ, over
the untimely disappearance of a pound of butter.
A stout wench answered the bell, a loosely ample person, with red
cheeks, glossy jet hair, and scintillant brown eyes. Her hair was
fringed about a sensual face; she wore a red-flannel blouse, a black
skirt, and certain tawdry fripperies that denounced the donor. She was
Zeus Gildersedge’s only servant, and might indeed have been included
with his opium and his claret as an especial luxury selfishly cherished
for the sake of avarice.
“What d’yer want?”
Public-domain text, read in full here on John Shaqi.
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