The Slaves of Society: A Comedy in Covers — John Shaqi
The Slaves of Society: A Comedy in CoversUpward, Allen
General
The Slaves of Society: A Comedy in Covers
Upward, Allen
England -- Social life and customs -- Fiction; Satire
The cage so feelingly referred to was one of a set of drawing-rooms on
the first floor of a mansion in Berkeley Square--that is to say, in
the heart of that restricted area within which society requires its
bond-servants to reside during the spring and early summer. The gilding
consisted in a mural decoration of the very latest and most artistic
design, representing a number of Japanese dragons going through a kind
of dragon drill, apparently adapted to develop their tail muscles
according to the system of Mr. Sandow; in curtains of lemon-colored
silk on each side of the window and other curtains of lemon-colored
plush across the doorways; in a carpet of that rich but chaotic pattern
which has been compared to the poetical style of the late Robert
Montgomery, and in a thicket of fantastic and inconvenient chairs,
of china-laden cabinets and palms in Satsuma jars, which would have
rendered it extremely hazardous for the gymnastic dragons to have come
down from the walls and transferred their exercises to the floor of the
apartment.
The inhabitant of this dungeon was a handsome young woman of forty,
or possibly forty-five, with the fresh complexion and vivacious
expression of a girl, united with a certain massiveness of outline, the
inseparable distinction of the British matron. Just at this moment,
moreover, her features were hardened into that business-like aspect
which the British matron assumes when she is engaged in doing that duty
which England expects of her no less than of its sea-faring population.
Her companion looked even younger than the marchioness. A rather pale
face, set off by a carefully cultivated black mustache, gave him that
air of concealed wickedness which women find so interesting. His attire
was a little too elegant to be in perfect taste. His bow was tied with
an artistic grace repugnant to the feelings of an English gentleman.
He was a typical specimen of that class of man whom men instinctively
taboo and women instinctively confide in; who are blackballed in the
best clubs and invited to all the best country-houses, who have no male
friends, and are on intimate terms with half our peeresses. Sometimes
these men end by getting found out, and sometimes they marry a dowager
countess with money--and a temper. As yet neither fate had overtaken
Mr. Despencer.
The marchioness decided that her companion had been familiar.
“Don’t be ridiculous!” she said, with some sharpness. “I sent for you
because I want your assistance.”
Despencer meekly submitted to the reproof.
“You know I am always at your disposal,” he murmured.
The marchioness glanced at him with a questioning air, much as King
John may be supposed to have glanced at Hubert before proceeding to
introduce the subject of Prince Arthur’s eyes.
“They tell me you are horribly wicked,” she remarked, in the tone of
one who pays a distinguished compliment, “so I feel I can rely on you.”
Public-domain text, read in full here on John Shaqi.
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