The Slayer of SoulsChambers, Robert W. (Robert William)
Science
The Slayer of Souls
Chambers, Robert W. (Robert William)
Conspiracies -- Fiction; Fantasy fiction; Magic -- Fiction
“For Miss Norne’s performance there appears to be no plausible,
practical or scientific explanation.
“During her performance the curtain will remain lowered for fifteen
minutes and will then rise on the last act of ‘You Betcha Life.’”
The noisy show continued while Cleves, paying it scant attention,
brooded over the programme. And ever his keen, grey eyes reverted to
her name, Tressa Norne.
Then, for a little while, he settled back and let his absent gaze
wander over the galloping battalions of painted girls and the slapstick
principals whose perpetual motion evoked screams of approbation from
the audience amid the din of the great god Jazz.
He had an aisle seat; he disturbed nobody when he went out and around
to the stage door.
The aged man on duty took his card, called a boy and sent it off. The
boy returned with the card, saying that Miss Norne had already dressed
and departed.
Cleves tipped him and then tipped the doorman heavily.
“Where does she live?” he asked.
“Say,” said the old man, “I dunno, and that’s straight. But them ladies
mostly goes up to the roof for a look in at the ‘Moonlight Masque’ and
a dance afterward. Was you ever up there?”
“Yes.”
“Seen the new show?”
“No.”
“Well, g’wan up while you can get a table. And I bet the little girl
will be somewheres around.”
“The little girl” _was_ “somewheres around.” He secured a table, turned
and looked about at the vast cabaret into which only a few people had
yet filtered, and saw her at a distance in the carpeted corridor buying
violets from one of the flower-girls.
A waiter placed a reserve card on his table; he continued on around the
outer edge of the auditorium.
Miss Norne had already seated herself at a small table in the rear, and
a waiter was serving her with iced orange juice and little French
cakes.
When the waiter returned Cleves went up and took off his hat.
“May I talk with you for a moment, Miss Norne?” he said.
The girl looked up, the wheat-straw still between her scarlet lips.
Then, apparently recognising in him the young man in the audience who
had spoken to her, she resumed her business of imbibing orange juice.
The girl seemed even frailer and younger in her hat and street gown. A
silver-fox stole hung from her shoulders; a gold bag lay on the table
under the bunch of violets.
She paid no attention whatever to him. Presently her wheat-straw
buckled, and she selected a better one.
He said: “There’s something rather serious I’d like to speak to you
about if you’ll let me. I’m not the sort you evidently suppose. I’m not
trying to annoy you.”
At that she looked around and upward once more.
Very, very young, but already spoiled, he thought, for the dark-blue
eyes were coolly appraising him, and the droop of the mouth had become
almost sullen. Besides, traces of paint still remained to incarnadine
lip and cheek and there was a hint of hardness in the youthful
plumpness of the features.
“Are you a professional?” she asked without curiosity.
Public-domain text, read in full here on John Shaqi.
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