The Slayer of SoulsChambers, Robert W. (Robert William)
Science
The Slayer of Souls
Chambers, Robert W. (Robert William)
Conspiracies -- Fiction; Fantasy fiction; Magic -- Fiction
“A theatrical man? No.”
“Then if you haven’t anything to offer me, what is it you wish?”
“I have a job to offer if you care for it and if you are up to it,” he
said.
Her eyes became slightly hostile:
“What kind of job do you mean?”
“I want to learn something about you first. Will you come over to my
table and talk it over?”
“No.”
“What sort do you suppose me to be?” he inquired, amused.
“The usual sort, I suppose.”
“You mean a Johnny?”
“Yes—of sorts.”
She let her insolent eyes sweep him once more, from head to foot.
He was a well-built young man and in his evening dress he had that
something about him which placed him very definitely where he really
belonged.
“Would you mind looking at my card?” he asked.
He drew it out and laid it beside her, and without stirring she scanned
it sideways.
“That’s my name and address,” he continued. “I’m not contemplating
mischief. I’ve enough excitement in life without seeking adventure.
Besides, I’m not the sort who goes about annoying women.”
She glanced up at him again:
“You are annoying me!”
“I’m sorry. I was quite honest. Good-night.”
He took his _congé_ with unhurried amiability; had already turned away
when she said:
“Please ... what do you desire to say to me?” He came back to her
table:
“I couldn’t tell you until I know a little more about you.”
“What—do you wish to know?”
“Several things. I could scarcely ask you—go over such matters with
you—standing here.”
There was a pause; the girl juggled with the straw on the table for a
few moments, then, partly turning, she summoned a waiter, paid him,
adjusted her stole, picked up her gold bag and her violets and stood
up. Then she turned to Cleves and gave him a direct look, which had in
it the impersonal and searching gaze of a child.
When they were seated at the table reserved for him the place already
was filling rapidly—backwash from the theatres slopped through every
aisle—people not yet surfeited with noise, not yet sufficiently sodden
by their worship of the great god Jazz.
“Jazz,” said Cleves, glancing across his dinner-card at Tressa
Norne—“what’s the meaning of the word? Do you happen to know?”
“Doesn’t it come from the French ‘_jaser_’?”
He smiled. “Possibly. I’m rather hungry. Are you?”
“Yes.”
“Will you indicate your preferences?”
She studied her card, and presently he gave the order.
“I’d like some champagne,” she said, “unless you think it’s too
expensive.”
He smiled at that, too, and gave the order.
“I didn’t suggest any wine because you seem so young,” he said.
“How old do I seem?”
“Sixteen perhaps.”
“I am twenty-one.”
“Then you’ve had no troubles.”
“I don’t know what you call trouble,” she remarked, indifferently,
watching the arriving throngs.
The orchestra, too, had taken its place.
Public-domain text, read in full here on John Shaqi.
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