The wedding guest beat his shirtfront; he could hear the bassoon doubling the cello. But Ulick continued ineluctably. "Woman is a sink of iniquity. Only Gounod is more loathsome. That Ave Maria--Grand Dieu! But Frédéric Chopin, nuance, cadence, appoggiatura--there you have it. En amour, les vieux fous sont plus fous que les jeunes. Listen to Rochefoucauld! And Montaigne has said, C'est le jouir et non le posséder qui rend heureux. And Pascal has added, Les affaires sont les affaires. As for Stendhal, Flaubert, Nietzsche, Edgar Saltus, Balzac, Gautier, Dostoievsky, Rabelais, Maupassant, Anatole France, Bourget, Turgenev, Verlaine, Renan, Walter Pater, Landor, Cardinal Newman and the Brothers Goncourt..." Ulick seized his head with both hands, and the wedding guest seized the opportunity to beat it, as the saying is. "Swine!" Ulick flung after him. "Swine, before whom I have cast a hatful of pearls!" He spat even more acridly upon the pave and turned away. "After all," he growled, "Stendhal was right. Or was it Huysmans? No, it was neither. It was Cambronne." * * * Though there has been little enough to encourage it, the world is growing kinder; at least friendliness is increasing. Every other day we read of some woman living pleasantly in a well appointed apartment, supplied with fine raiment and an automobile, the fruit of Platonism. "No," she testifies, "there was nothing between us. He was merely a friend." * * * What heaven hath cleansed let no man put asunder. Emma Durdy and Raymond Bathe, of Nokomis, have been j. in the h. b. of w. * * * THE TRACERS ARE AT WORK. Sir: Please consult the genealogical files of the Academy and advise me if Mr. Harm Poppen of Gurley, Nebraska, is a lineal descendant of the w. k. Helsa Poppen, famous in profane history. E. E. M. * * * Our opinion, already recorded, is that if Keats had spent fifteen or twenty minutes more on his Grecian Urn, all of the stanzas would be as good as three of them. And so we think that if A. B. had put in, say, a half hour more on her sonnet she would not have rhymed "worldliness" and "moodiness." Of the harmony, counterpoint, thoroughbass, etc., of verse we know next to nothing--we play on _our_ tin whistle entirely by ear--but there are things which we avoid, perhaps needlessly. One of these is the rhyming of words like utterly, monody, lethargy, etc.; these endings seem weak when they are bunched. Our assistants will apprehend that we are merely offering a suggestion or two, which we hope they will follow up by exploring the authorities. * * *