The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Rutherford._ Rutherfords' is going down--down. I got to pull her
up, somehow. There's one way out.... Mr. John's made this metal--a
thing, I take your word for it, that's worth a fortune. And we're
going to sit by and watch him fooling it away--selling it for a song
to Miles or Jarvis, that we could break to-morrow if we had half a
chance.... You've got but to put your hand in your pocket to save
the place and you don't do it. You're with them--you're with the
money-grubbing little souls that can't see beyond the next shilling
they put in their pockets.... When men steal, Martin, they do it to
gain something. If I steal this, what'll I gain by it? If I make
money, what'll I buy with it? Pleasure, maybe? Children to come
after me--glad o' what I done? Tell me anything in the wide world
that'd bring me joy, and I'll swear to you never to touch it.... If
you give it to me what'll you gain by it? Not a farthing shall you
ever have from me--no more than I get myself.
_Martin._ And what will Mr. John get for it?
_Rutherford._ Rutherfords'--when I'm gone. He'll thank you in ten
years--he'll come to laugh at himself--him and his price. He'll see
the Big Thing one day, mebbe, like what I've done. He'll see that it
was no more his than 'twas yours to give nor mine to take.... It's
Rutherfords'.... Will you give it to me?
_Martin._ I take shame to be doing it now.... He worked it out along
o' me. Every time it changed he come running to show me like a bairn
wi' a new toy.
_Rutherford._ It's for Rutherfords'....
Rutherfords' ruthlessly marches on. If the Rutherford purpose does not
shrink from corrupting its most trusted servant, it surely will not bend
before a daughter who has dared, even once in her life, to assert
herself.
_Rutherford._ How far's it gone?
_Janet._ Right at first--I made up my mind that if you ever found
out, I'd go right away, to put things straight. He wanted to tell
you at the first. But I knew that it would be no use.... It was _I_
said not to tell you.
_Rutherford._ Martin ... that I trusted as I trust myself.
_Janet._ You haven't turned him away--you couldn't do that!
_Rutherford._ That's my business.
_Janet._ You couldn't do that ... not Martin....
_Rutherford._ Leave it--leave it ... Martin's my servant, that I pay
wages to. I made a name for my children--a name respected in all the
countryside--and you go with a workingman.... To-morrow you leave
my house. D'ye understand? I'll have no light ways under my roof. No
one shall say I winked at it. You can bide the night. To-morrow when
I come in I'm to find ye gone.... Your name shan't be spoken in my
house ... never again.
Public-domain text, read in full here on John Shaqi.
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