The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Jean_, though the male is aroused in him, pleads with _Julie_ not to
play with fire, begs her to return to her room, and not to give the
servants a chance for gossip. And when later _Jean_ suggests his room
for a hiding place that _Julie_ may escape the approaching merry-makers,
it is to save her from their songs full of insinuation and ribaldry.
Finally when the inevitable happens, when as a result of their closeness
in _Jean's_ room, of their overwrought nerves, their intense passion,
the avalanche of sex sweeps them off their feet, forgetful of station,
birth and conventions, and they return to the kitchen, it is again
_Jean_ who is willing to bear his share of the responsibility. "I don't
care to shirk my share of the blame," he tells _Julie_, "but do you
think any one of my position would have dared to raise his eyes to you
if you had not invited it?"
There is more truth in this statement than the Julies can grasp, namely,
that even servants have their passions and feelings that cannot long be
trifled with, with impunity. The Jeans know "that it is the glitter of
brass, not gold, that dazzles us from below, and that the eagle's back
is gray like the rest of him." For _Jean_ says, "I'm sorry to have to
realize that all that I have looked up to is not worth while, and it
pains me to see you fallen lower than your cook, as it pains me to see
autumn blossoms whipped to pieces by the cold rain and transformed
into--dirt!"
* * * * *
It is this force that helps to transform the blossom into dirt that
August Strindberg emphasizes in "The Father." For the child born against
the will of its parents must also be without will, and too weak to bear
the stress and storm of life. In "Countess Julie" this idea recurs with
even more tragic effect. _Julie_, too, had been brought into the world
against her mother's wishes. Indeed, so much did her mother dread the
thought of a child that she "was always ill, she often had cramps and
acted queerly, often hiding in the orchard or the attic." Added to this
horror was the conflict, the relentless war of traditions between
_Julie's_ aristocratic father and her mother descended from the people.
This was the heritage of the innocent victim, _Julie_--an autumn blossom
blown into fragments by lack of stability, lack of love and lack of
harmony. In other words, while _Julie_ is broken and weakened by her
inheritance and environment, _Jean_ is hardened by his.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account