Lilly never forgot the day on which the principal brought him into the Selecta. It was between three and four, and the last lesson was in progress. The stout figure of the principal was closely followed by the slim, rather handsome young man with a slight stoop, who had stood during prayers in the big hall at Fraeulein Hennig's side, and turned down the leaves of his book while the hymn was being sung. He wore a tight-fitting grey frock-coat, which revealed the lines of his emaciated figure, and a fashionable silk waistcoat that gave a false impression of the world to which he belonged. He made a series of abrupt military bows, and appeared shy and embarrassed. "This is Dr. Maelzer," said the principal, introducing him. "He will initiate you ladies in the art of the Renaissance. I hope you will pay particular attention to the subject, which, though not obligatory, and one you will not be examined in, is of the greatest importance to general culture, and by-and-by will accelerate your progress in the study of Lessing, Goethe, and Winckelmann." The principal, with these words, retired, leaving the young lecturer nervously tugging at the blond moustache, the thin ends of which drooped on either side of his mouth. A half-sarcastic, half-shy smile hovered about his lips. He looked uncertain whether he should sit or stand on the dais. Meta Jachmann, who was always inclined to be silly, began to giggle, and set half the class giggling too. His transparent face flushed. In a voice which, weak as it was, shook his whole narrow person, he said: "Yes, ladies, laugh. You can afford to laugh in your position, for life lies before you full of possibilities of endeavour and attainment. I too may laugh over the privilege of being allowed to address you soul to soul. That does not often fall to the lot of a man at the outset of his teaching career. You will soon experience for yourselves what a happiness it is." The whole class became quiet as mice, and from that moment onwards he held it spellbound. "But my good fortune does not end there," he went on; "the authorities of this institution have been generous enough to place such confidence in my poor abilities as to entrust me with a theme that is the noblest in existence. Till the Renaissance, every thinker in history, no matter how much a revolutionist and free-lance at heart, has been made by the interpretations of history to play to the gallery in the personal expression of his ideas. The sages have labelled Plato as a mere shield-bearer of Christianity, Horace as a pedant, and Jesus as the Son of God; but no one has attempted to show Michael Angelo, Alexander Borgia, Machiavelli in any other light than that of an ego defying the world and relying on its own power in its lust for creative or destructive activity."