The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
1. Behold, thou art, &c. The shepherd, who had followed afar off the
royal train in which his beloved was conveyed to the capital, obtains
an interview with her, and is now addressing her. Thine eyes are doves;
see supra, i. 15. Thy hair is like a flock of goats, i.e. the tresses,
dangling from the crown of her head, are as beautiful as Mount Gilead
covered with the shaggy herd. The hair of Oriental goats is exceedingly
delicate, soft (Gen. xxvii. 16), long, and black (1 Sam. xix. 13); and
when the sun shines upon it, reflects such a glare that the eye can
hardly bear the lustre (see Boch. Hieroz. i. 2, 51. Rosenmüller,
Orient. i. 85). הַר גִּלְעָד is the name of a chain of limestone mountains
beyond Jordan, intersected by numerous valleys (Gen. xxxi. 21; Jer. l.
19). This ridge extends over the regions inhabited by the tribes of
Reuben, Gad, and the northern part of Manasseh (Numb. xxxii. 40; Deut.
iii. 13; Josh. xvii. 1–6). It was famous for its luxuriant verdure,
aromatic simples, and rich pastures; and hence attracted the flocks
(Numb. xxxii. 1); and animals from this region were regarded as of a
superior quality, like gold from Ophir. Nothing, therefore, could more
beautifully express the curly hair of a woman, dangling down from the
crown of her head, than the sight, at a distance, of a flock of goats
running down from the summit of this verdant hill on a beautiful day.
צַמָּה (from צָמַם, i.q. Chald. צַמְצַם, צָמַם, to bind, to twine, to
veil), is well explained by Rashbam, ענין עילוף ומעטה היא, a kind of
cover, or veil; so Sym., Sept., Isa. xlvii. 2, Michaelis, Döpke,
Gesenius, De Wette, Lee, Percy, Williams, Hitzig, &c. The rendering of
the Sept. here, ἐκτὸς τῆς σιωπήσεώς σου, behind thy silence, which is
followed by the Syriac and Arabic, is both contrary to the etymology of
the word, and meaningless. The other translations, viz. locks (Auth.
Vers., Ewald), a plait of hair (Hengstenberg), cannot be substantiated.
The word גָּלַשׁ, which occurs only here and vi. 5, is of difficult
interpretation, and has produced a variety of renderings. The Sept. has
here ἀπεκαλύφθησαν, and vi. 5, ἀνεφάνησαν, the Syriac ܣܠܰܩ, the Vulg.
here ascenderunt, and vi. 5, apparuerunt. The Rabbins also differ in
their interpretations. Rashi explains it שנקרחו, that make bare, i.e.
quit or descend the mountain. Ibn Ezra, שנשקפו, which look down;
Rashbam, שנראו, which are seen, i.e. while coming down from the
mount. Modern commentators are not less at variance. Luther translates
it shorn; Houbigant, which hang down; Kleuker, Ewald, which shows
itself; Döpke, Gesenius, Hitzig, Philippson, which lie down; Magnus,
which climb up; Percy, Hengstenberg, which come up, i.e. from
Jerusalem. Amidst these conflicting opinions, it appears best to take
גָּלַשׁ, like its kindred פָּלַשׁ, in the sense of rolling down, running
down; see Fürst. Lexicon, s.v. This meaning accords best with the
Public-domain text, read in full here on John Shaqi.
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