The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical — John Shaqi
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
4. Draw me, &c.—Draw me to Thee, and I and my congregation will run
after Thee, as in the days of old, when the King, my beloved,
brought me into His chambers; and, while running after Thee, we
will rejoice and be glad in Thee, and celebrate Thy love and the
expressions of Thy affection above any banquet of wine and
beverages; for all the world loves Thee with upright love. This
refers to the congregation of Israel, who sighs and makes
supplication before the Holy One, to bring her out from her
captivity, as He had formerly brought her out of Egypt, and led her
into His chambers, i.e., the tabernacle, where they served Him
continually.
5. I am swarthy, &c.—Oh, my companions, virgin daughters of
Ishmael, do not disdain and deride me on account of my blackness,
saying, Because I am black, therefore my Beloved left me; for,
although I am black as regards the appearance of my face, like the
tents of Kedar, yet I am comely and graceful in body and stature,
like the curtains of King Solomon, which are becoming and suitable
to royalty. Thus the congregation of Israel, whom the nations
reproach on account of her sins and transgressions which she
committed, answers: True, I have sinned; and woe to me, for I am
wandering in captivity for it; yet I am comely, I am of royal
blood, and have the merits of my fathers; and the Holy One, in the
latter days, will restore me to my former state, and liberate me
from the iron furnace of captivity. The daughters of Jerusalem are
the heathen. Compare “I will give them to thee to be thy
daughters.” Ezek. xvi. 61. The tents of Kedar are black, because
the sons of Kedar sojourn in deserts and dwell in tents, and not in
houses.
1093–1168. While Rashi and Rashbam, by means of this allegorical
interpretation, assuaged the sufferings of their brethren in France and
Germany, the celebrated Abraham Ibn-Ezra ben Meier, also called
Ibn-Ezra and Raba, who was born in Toledo in 1093, and died in 1168,
[54] administered consolation through the same medium to his suffering
brethren in Spain, shewing them that this Song recounts the past
wonderful dealings of God with his beloved people from the very call of
Abraham, and the blessings reserved for them at the coming of the
Messiah, who shall gather them from among all nations, and bring them
back to the land flowing with milk and honey.
Public-domain text, read in full here on John Shaqi.
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