The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical — John Shaqi
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Religion
The Song of Songs: Translated from the Original Hebrew, with a Commentary, Historical and Critical
Bible. Song of Solomon -- Commentaries
4. Draw me.—Abraham was drawn after God, and therefore left his
native place (Gen. xii. 1). The king has brought me, &c.—God has
brought Abraham into the land of Canaan; or it may mean, God has
made him wise in his secrets, and the words, we will praise thy
love, denote the altars and groves which Abraham erected and
planted wherever he came.
5. I am swarthy.—This refers to the Egyptian bondage. Although I
(i.e. Israel) am swarthy because of some evil deeds committed
there; yet I am comely because of my adhesion to the covenant and
to the belief in the unity of God.
It has generally been overlooked that Ibn Ezra distinctly states in the
second gloss, in which he professes to give the literal meaning of the
narrative, that the lovers are a shepherd and a shepherdess, and that
the king is a separate and distinct person from the beloved shepherd.
Thus he explains Ch. i. 4, “I rejoice in THEE (the shepherd) more than
if THE KING had brought me into his apartments.” Again, verse 12, the
shepherdess says to the shepherd, “Though my fragrance is so sweet that
THE KING, whilst reclining, desires to smell my nard, yet MY BELOVED
(the shepherd), who is a bundle of myrrh, diffuses a still sweeter
fragrance.” Compare also Ch. iii. 6–11, Ch. vi. 8, Ch. viii. 11, 12.
This is an important step to the right understanding of the Book.
Ibn Ezra also mentions that “The philosophers explain this book to
refer to the mysterious harmony of the universe, and to the union of
the divine soul with the earthly body; and that others, again, explain
it literally.” [56] In reference to the last mentioned mode of
interpretation, he exclaimed, “Far be it! far be it! to think that the
Song of Songs is an amatory composition.” [57]
1200–1250. The frequent mention made by the preceding commentators of
the different views entertained respecting this Song, will have
prepared the reader for the philosophical interpretation which has been
adopted and defended by a large and influential portion of the Jewish
community.
Joseph Ibn Caspe, a learned author, who lived in the beginning of the
thirteenth century, and who wrote expositions on several portions of
the Scriptures, maintains that “this book represents the union between
the ACTIVE INTELLECT (intellectus agens) and the RECEPTIVE MATERIAL
INTELLECT (intellectus materialis),” typified by the beloved and loved
one.
As Caspe’s commentary is short and exceedingly rare, we give a
translation of it, and subjoin the original in the footnote:—
THE COMMENTARY OF IBN CASPE. [58]
Public-domain text, read in full here on John Shaqi.
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