The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
I was a young soldier of the Army of the Potomac in those days; one of
the several thousand who wore the white cross of the Second Division of
the Sixth Army Corps, and the Song in all its variations became a
familiar sound.
For instance, once when we were occupying the hills north of the
Rappahannock, nearly half the regiment were on the sick list by reason
of the bad water which supplied our camp. Down by the river bank,
perhaps a mile and a half away was a spring of good clear water. "Joe"
and myself, both non-commissioned officers, thought we must at all
hazards keep fit for duty, and on alternate mornings one of us would
make the trip to fill our canteens. Wide and open fields lay between us
and the spring and I think I never crossed that open space without
hearing the Song. Preceding a distant detonation from beyond the river
a faint quavering whistle would come, growing louder as with apparently
increasing hurry it drew near. It seemed to speak in fascinating,
insinuating tone of some very special message to you alone; then
suddenly, with venomous buzz in your very ear while your heart stood
still it would speed by and die away again in the farther distance. It
was the voice of a minié bullet from the rifle of some sharpshooter on
the Confederate picket line. But the range was long, the risk slight,
as such things went, and not to be compared, so Joe and I thought, to
the very real danger of the camp water.
Toward evening one of our field batteries would gallop down to the
river bank and open fire upon those troublesome sharpshooters; then the
heavy guns on the other side would make reply and a new variation of
the Song would be heard--a very Wagnerian orchestral effect: the quick
crack of the field guns, the more distant boom of the siege cannon, the
scream of shells rushing hither and thither through the evening air,
always with that rising and falling cadence, that mournful moan, that
peculiar hurrying, threatening, almost speaking quaver which, once
heard goes with you evermore, so that years afterwards you hear it in
your dreams.
Those big shells from the enemy's guns three miles away made regular
evening visits to our camp. They seldom did any real harm. When we
first occupied the position, a few tents were pitched too near the
crest of the hill within sight of the gunners beyond; but after one of
those tents had been torn to rags and the head of a poor fellow
standing near had been neatly shorn off, everything came down behind
the slope out of view; and though we were always favoured with our
vesper serenade and close calls were not uncommon, no one else, I
think, was seriously hurt.
Public-domain text, read in full here on John Shaqi.
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