The Song of the Rappahannock: Sketches of the Civil WarDodd, Ira Seymour
History
The Song of the Rappahannock: Sketches of the Civil War
Dodd, Ira Seymour
United States -- History -- Civil War, 1861-1865 -- Personal narratives
The evening performance had, if not an appreciative, certainly a grimly
critical audience. A veteran in the adjoining regiment calmly proceeds
with the all-important business of boiling his coffee until a shell
explodes uncomfortably close. Then you hear his disgusted growl: "The
damned rascals! They spoil my supper every night!" and the answering
jeer of his comrades: "Jim, did you hear what that one said? It said,
'Which 'un, which 'un, which 'un, _you_!'"
The ring of the bursting shells was not the least impressive of the
notes of the Song. It is hard to describe; but strange as it may seem
to say so it was certainly music, often with absolutely sweet tones
like the sudden stroke of a bell, followed by the singing hum, in
curious harmony of the rushing of jagged iron fragments through the
air. One of the friends of my boyhood was a musical genius, a pianist
of no mean power who had studied his profession in Germany. The
democratic makeup of our army is illustrated by the fact that, in the
early sixties this man enlisted as a private soldier. And he used to
amuse himself while lying in the trenches by noting the varying keys of
the music of moaning and bursting shells.
But the Song was not always harmless or ineffectual. No one knows
precisely how many men suffered wounds and death beside the banks of
the pretty, placid Rappahannock. It is within bounds to put the number
at fifty thousand. The war history of that region is peculiar. It is a
tale of incessant and resultless strife, seldom without at least the
intermittent fire of opposing picket lines. Three of the greatest, most
deadly, yet most indecisive battles of the war were fought there.
The veil of time has begun to fall over the actual agonies of the
nation while the fury of that great war tempest lingered; but some of
us remember how real it was, and the Song of the Rappahannock seems its
very voice. It was Delphic in the ambiguity of its utterance. Neither
the pæan of victory nor the wail of the conquered, it was the breath of
the Titanic struggle with its bitter pain, its dark suspense, its grim
and terrible stress and strain.
Public-domain text, read in full here on John Shaqi.
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