The Sorrows of Belgium: A Play in Six ScenesAndreyev, Leonid
History
The Sorrows of Belgium: A Play in Six Scenes
Andreyev, Leonid
Andreyev, Leonid, 1871-1919 -- Translations into English; Russian drama -- Translations into English; World War, 1914-1918 -- Drama
Our soldiers. They were coming from there--where the battle
raged for four days. There were not many of them--about a
hundred or two hundred. But we all--there were so many people in
the streets--we all stepped back to the wall in order to make
way for them. Emil, just think of it; how strange! They did not
see us, and we would have been in their way! They were black
from smoke, from mud, from dried blood, and they were swaying
from fatigue. They were all thin--as consumptives. But that is
nothing, that is all nothing. Their eyes--what was it, Emil?
They did not see their surroundings, they still reflected that
which they had seen there--fire and smoke and death--and what
else? Some one said: "Here are people returning from hell." We
all bowed to them, we bowed to them, but they did not see that
either. Is that possible, Emil?
EMIL GRELIEU
Yes, Jeanne, that is possible.
PIERRE
And he will go to that inferno?
_Silence. Emil Grelieu walks over to his wife and kisses her
hand. She looks at his head with a smile. Suddenly she rises._
JEANNE
Forgive me; there is something else I must say--
_She moves quickly and lightly, but suddenly, as though
stumbling over an invisible obstacle, falls on one knee. Then
she tries to rise, kneels, pale and still smiling, bending to
one side. They rush over to her and lift her from the ground._
PIERRE
Mamma! Mamma!
EMIL GRELIEU
You have a headache? Jeanne, my dearest, what ails you?
_She pushes them aside, stands up firmly, trying to conceal her
nervousness._
JEANNE
What is it? What? Don't trouble, Emil! My head? No, no! My foot
slipped--you know, the one that pained me. You see, I can walk
now.
EMIL GRELIEU
A glass of water, Pierre.
JEANNE
What for? How absurd!
_But Pierre had already gone out. Jeanne sits down, hangs her
head, as one guilty, endeavoring not to look into his eyes._
JEANNE
What an excitable youth--your Pierre! Did you hear what he said?
EMIL GRELIEU
_Significantly._
Jeanne!
JEANNE
What? No, no--why do you look at me this way? No--I am telling
you.
_Pierre brings her water, but Jeanne does not drink it._
JEANNE
Thank you, Pierre, but I don't want it.
_Silence._
How fragrant the flowers are. Pierre, please give me that
rose--yes, that one. Thank you. How fresh it is, Emil, and what
a fine fragrance--come over here, Emil!
_Emil Grelieu goes over to her and kisses the hand in which she
holds the rose. Looks at her._
JEANNE
_Lowering her hand._
No; I have asked for this flower simply because its fragrance
seems to me immortal--it is always the same--as the sky. How
strange it is, always the same. And when you bring it close to
your face, and close to your eyes, it seems to you that there is
nothing except this red rose and the blue sky. Nothing but the
red rose and the distant, pale--very pale--blue sky....
EMIL GRELIEU
Public-domain text, read in full here on John Shaqi.
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