England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
almost branchless trees on the ridge of the Beacon above Sancreed--a
procession that seems even at mid-day to move in another world, in the
world and in the age of the stone circles and cairns and cromlechs of
the moor beyond. The sycamore and elder that surround and tower above
Tregonebris near Boscawen Un. The avenue of ash and elm and wych-elm
and sycamore, very close together, leading from grey Nancothan mill,
where the dark-brown water mingles its noise with the rustling trees.
The wych-elms and golden-fruited sycamores about the roads near St.
Hilary, and the long avenue of ash up to the church itself, and the
elms through which the evening music floats, amidst the smell of hay,
in a misty mountained sunset.
Under the flaming fleeces of a precipitous sky, in a windless hush
and at low tide, I descended to a narrow distinct valley just where
a stream ran clear and slow through level sands to a bay, between
headlands of rocks and of caves among the rocks. The sides of the
valley near the sea were high and steep and of grass until their abrupt
end in a low but perpendicular wall of rock just above the river
sands. Inland the valley began to wind and at the bend trees came
darkly trooping down the slopes to the water. Immediately opposite the
ford--the wet sands being unscathed by any foot or hoof or wheel--a
tributary ran into the river through a gorge of its own. It was a
gorge not above a hundred feet across, and its floor was of sand save
where the brook was running down, and this floor was all in shadow
because the banks were clothed in thick underwood and in ash, sycamore,
wych-elm and oak meeting overhead. And in these sands also there was no
footprint save of the retreated sea. There was no house, nor wall, nor
road. And there was no sound in the caverns of foliage except one call
of a cuckoo as I entered and the warbling of a blackbird that mused in
the oaks and then laughed and was silent and mused again and filled
the mind with the fairest images of solitude--solitude where a maid,
thinking of naught, unthought of, unseen, combs out her yellow hair and
lets her spirit slip down into the tresses--where a man fearful of his
kind ascends out of the deeps of himself so that his eyes look bravely
and his face unstiffens and unwrinkles and his motion and gesture is
fast and free--where a child walks and stops and runs and sings in
careless joy that takes him winding far out into abysses of eternity
and makes him free of them, so that years afterward the hour and place
and sky return, and the eternity on which they opened as a casement,
but not the child, not the joy.
Public-domain text, read in full here on John Shaqi.
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