England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
And over and through it a cuckoo is crying and crying, first overhead,
then afar, and gradually near and retreating again. He is soon gone,
but the ears are long afterwards able to extract the spirit of the
song, the exact interval of it, from among all the lasting sounds,
until we hear it as clearly as before, out of the blue sky, out of
the white cloud, out of the shining grey water. It is a word of
power--cuckoo! The melting of the snow is faster than ever, and at the
end of the day there is none left except in some hollows of the Downs
on the slopes behind the topmost of the beeches that darkly fringe the
violet sky. In the misty shutting of the light there are a thousand
songs laced by cuckoos’ cries and the first hooting of owls, and the
beeches have become merely straight lines of pearl in a mist of their
own boughs. Below them, in the high woods, goes on the fall of the
melting snow through the gloomy air, and the splash on the dead leaves.
This gloom and monotonous sound make an exquisite cloister, visited but
not disturbed by the sound of the blackbirds singing in the mist of the
vale underneath. Slowly the mist has deepened from the woods to the
vale and now the eye cannot see from tree to tree. Then the straight
heavy rain descends upon the songs and the clatterings of blackbirds,
and when they are silenced the moorhen’s watery hoot announces that the
world belongs to the beasts and the rainy dark until to-morrow.
Beautiful upon the waters, beautiful upon the mountains, is the
cuckoo’s song, and most rare over the snow. But of all places and hours
I should choose the crags of Land’s End in a dawn of June; and let it
be the end of that month and the wind be grey and cold, so that the
ships stagger in the foam and crag-like waves as they catch the early
light tenderly upon their sails. The cold beams, the high precipices
yet full of shadow and of the giddy calling of daw and gull, the black
but white-lipped water and the blacker cormorant flying straight across
it just over the foam, the sky golden yet still pallid and trembling
from the dungeon of night--through it floats that beloved voice
breaking, breaking, and the strong year at the summit of its career
has begun to decline. The song is memorable and fair also when the
drenched gardens toss and spread their petals in the grass. Many a one
hears it who will not hear it again, and many that once expected it
impatiently hears it no more because he is old and deaf or because his
heart is closed. There is not a broad and perfect day of heat and wind
and sunshine that is not haunted by that voice seeming to say the earth
is hollow under our feet and the sky hollow over our heads.
Public-domain text, read in full here on John Shaqi.
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