England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
hairs where he lies at night. The image of the god is in the grey riven
willow that leans leafless over the stream like a peasant sculpture
of old time. There is another of these godkins in a bare chalk hollow
where the dead thistles stick out through a yard of snow and give
strange thoughts of the sailless beautiful sea that once rippled over
the Downs: one also in the smell of hay and mixen and cow’s breath at
the first farm out of London where the country is unsoiled. There is
one in many a worthless waste by the roadside, such as that between
two roads that go almost parallel for a while--a long steep piece,
only a few feet broad, impenetrably overgrown by blackthorn and
blackberry, but unenclosed: and one in each of the wayside chalk-pits
with overhanging beech roots above and bramble below. One, too, perhaps
many, were abroad one August night on a high hillside when the hedge
crickets sang high up in the dogwood and clematis like small but
deafening sewing machines, and the glowworms shone in the thyme, and
the owl’s crying did not rend the breathless silence under the full
moon, and in the confused moonlit chequer of the wood, where tree
and shadow were equals, I walked on a grating of shadows with lights
between as if from under the earth; the hill was given over to a light
happiness through which I passed an unwilling but unfeared intruder.
In places these gods preside over some harmony of the earth with the
works of men. There is one such upon the Pilgrims’ Way, where I join
it, after passing the dark boughs and lightsome flowers of cherry
orchards, grass full of dandelions, a dark cluster of pines, elms in
groups and cavalcades, and wet willowy meadows that feed the Medway.
Just at the approach there is a two-storied farm with dormers in the
darkly mellowed roof, protected by sycamores and chestnuts, and before
it a weather-boarded barn with thatched roof, and then, but not at
right angles, another with ochre tiles, and other outbuildings of old
brick and tile, a waggon lodge of flint and thatch beside a pond, at
the edge of a broad unhedged field where random oaks shadow the grass.
Behind runs the Pilgrims’ Way, invisible but easily guessed under that
line of white beam and yew, with here and there an ash up which the
stout plaited stems of ivy are sculptured, for they seem of the same
material as the tree, and both of stone. Under the yew and white beam
the clematis clambers over dogwood and wayfaring trees. Corn grows up
to the road and sometimes hops; beyond, a league of orchard is a-froth
round farmhouses or islands of oak; and east and west sweeps the
crescent of the North Downs.
Public-domain text, read in full here on John Shaqi.
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