England -- Description and travel; Natural history -- England; Thomas, Edward, 1878-1917 -- Travel -- England
Nature is never stiff, and none recognizes this fact better than
---- & Son, and their now well-known and natural-looking rockeries
have reclaimed many a dreary bit of landscape. At ---- they showed
me photographs of various country seats where the natural-looking
scenery has been evolved by their artistic taste and ingenuity out of
the most ordinary efforts of Nature. Thus a dull old mill-stream has,
with the aid of rockeries and appropriate vegetation, been converted
into a wonderfully picturesque spot, an ordinary brook was transformed
into a lovely woodland scene, with ferns, mosses, and lichens growing
among the rockeries, and the shores of an uninteresting lake became
undulating banks of beauty by the same means; while the beautiful
rockeries in ---- Park were also the work of this firm. ---- & Son
have other ways, too, of beautifying gardens and grounds by the
judicious use of balustrades, fountains, quaint figures, etc., made
of “---- terra-cotta,” or artificial stone, which is far more durable
than real stone or marble, not so costly, and impervious to frost and
all weathers, although it takes the vegetation in the same way, and
after a year’s exposure it can scarcely be distinguished from antique
stone. In it the great _spécialité_ here just now is “sundials,” the
latest craze; for without a sundial no ancient or up-to-date garden is
considered complete.
Nevertheless the town smells heartily of cattle, sheep, and malt; a
rookery and white orchard confront the railway station, and in the
midst of the streets the long grass is rough and wet and full of
jonquils round ancient masonry: seen from a height the town shares the
sunlight equally with massy foliage and finds its place as a part of
Nature, and the peregrine takes it in its sweep.
The turtle-doves have come and the oaks are budding bronze in the
Weald. The steep roadside banks are cloaked in grass, violet, and
primrose still, and robin-run-in-the-hedge and stitchwort and cuckoo
flowers, and the white-throats talk in the hazel copses. A brooklet
runs in a hollow that would almost hold the Thames, and crossing the
road fills a rushy mill-pond deep below, and makes a field all golden
and shining with marigold. Just beyond, a gnarled lime avenue leads to
a grey many-windowed house of stone within a stately park. Opposite the
gate an old woman sits on the grass, her feet in the dust at the edge
of the road; motor-cars sprinkle her and turn her black to drab; she
sits by the wayside eternally, expecting nothing.
Public-domain text, read in full here on John Shaqi.
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