The South Devon CoastHarper, Charles G. (Charles George)
History
The South Devon Coast
Harper, Charles G. (Charles George)
Devon (England) -- Description and travel
Lyme Regis, whence this exploration starts, is at the very door of
Devonshire, and was, indeed, in recent years within an ace of being
transferred from Dorset. At Lyme, which lies, as it were, at the bottom
of a cup, you perceive at once the sort of thing in store for those who
would fare westward: exquisite scenery combined with extravagantly steep
roads.
CHAPTER II
ROUSDON—THE DOWLANDS LANDSLIP
Close by the border-line of the two counties, as you make from Lyme
Regis, across the pleasant upland meadows to Uplyme, which is in
Devonshire, is Middle Mill. The mill has seen its best days and no
longer grinds corn, and the great wheel is idle, for the very excellent
reason that the stream that once sent it ponderously revolving has been
diverted. The thatched mill-house and its adjoining cottage, together
with the silent wheel are, in short, in that condition of picturesque
decay which spells romance to artists, who, discovering it, cannot resist
a sketch. It appealed irresistibly, some years ago, to an artist in
another craft; to none other, in short, than that distinguished novelist,
Sir Walter Besant, who laid the scenes of his eighteenth-century story,
_’Twas in Trafalgar’s Bay_, chiefly here and at Rousdon.
He describes Middle Mill just as it is situated: “At the back of the mill
was an orchard, where the pink and red cider apples looked pleasant—they
could not look sweet. Beyond the orchard was a piggery, and then you came
to the bed of a stream, which was dry in summer, save for a little green
damp among the stones, by the side of which was a coppice of alder-trees,
and behind the alders a dark, deep wood, into which you might peer all a
summer’s day and dream boundless things.”
[Illustration: MIDDLE MILL.]
The only objection that can be taken to the verisimilitude of this
description is the reference to the cider apples. As a matter of fact,
they do look sweet—and are not. The novelist refers to the richly ruddy
“Devonshire reds,” whose beautiful colour presupposes in the mind of
strangers to cider-apples a fruit luxuriously sweet and juicy. Devonshire
farmers take little care to fence their cider-apples from the stranger,
who steals and tastes as a rule only one, finding with the first bite
that sweetness is by no means necessarily housed within that captivating
exterior.
The story is one of smuggling and of rival loves. At Middle Mill lived
the miserly Joshua Meech, whose unrequited affection for Pleasance Noel,
and whose revengeful jealousy, bring about all the trouble. To punish him
for his betrayal of his friends to the Revenue Officers, Pleasance by
night steals eight bags of his hoarded wealth from under the hearthstone,
where Joshua kept his domestic bank, and hides them under the millwheel.
The wheel “stood there, under a broad, sloping penthouse of heavy thatch,
which made it dark in the brightest day”; and so you may find it, exactly
as described, except that the penthouse is tiled, and not thatched.
Public-domain text, read in full here on John Shaqi.
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