The Southern Literary Messenger, Vol. I., No. 4, December, 1834Various
History
The Southern Literary Messenger, Vol. I., No. 4, December, 1834
Various
American literature -- 19th century -- Periodicals
the graves, and in that situation actually finished the head before
rising. Nay, more, although the day has been described to us "as a
dounright pour," so total was his absorption in the work--so complete
his insensibility to every thing else, that he declares himself to have
been unconscious of the "rattling showers," from the moment he
commenced. Such is the power of genuine and natural enthusiasm in a
favorite pursuit. This head, which contained perhaps, more expression
than even that of the present figure, decided the matter. Next day, the
block requisite for a full-length of Tam o' Shanter, was brought into
Ayr, a load for four stout horses, and placed in a proper workshop,
within Cromwell's fort.
It may be interesting to mention a few particulars of the manner in
which these figures have been composed and finished.--"Tam" was
selected by the artist as a subject for his chisel. The figure is
understood to bear a strong traditional resemblance to the well-known
Douglass Graham, some forty years ago a renowned specimen of a Carrick
farmer, and who, residing at Shanter, furnished to Burns the prototype
of his hero.
---- Souter Johnnie,
His antient, trusty, drouthie cronie--
is said to be a striking likeness of a living wight--a cobbler near
Maybole; not that this individual sat for his portraiture, but that the
artist appears to have wrought from the reminiscences of two interviews
with which he was favored, after twice travelling 'some lang Scotch
miles,' in order to persuade the said "souter" to transfer his body, by
means of his pair of soles, from his own to the artist's studio. The
bribe of two guineas a-week, exclusive of "half-mutchkins withouten
score," proved, however, unavailing, and the cobbler remained firm to
the _last_. By this refusal, "the birkie" has only become poorer by the
said couple of guineas, and certain "half-mutchkins drouthier," for so
true has the eye of the sculptor proved, that every one is said
instantly to recognise the cobbler's phiz and person. A strange
perverseness, indeed, or fatality, or what you will, seems to have
seized upon all the favored few selected as fitting archetypes for
these admirable figures. For, Tam's "nether man" occasioning some
anxiety in the perfecting of its sturdy symmetry, a carter, we believe,
was laid hold of, and the _gamashins_, being pulled on for
half-an-hour, Tam's _right leg_ was finished in rivalship of the said
gentleman's _supporter_. It appears to have been agreed upon that he
should return at a fitting opportunity, having thus left Tam
"hirpling:" but, in the interval, the story of the sitting
unfortunately taking _air_, and the soubriquet of "Tam o' Shanter"
threatening to attach to the lawful and Christian appellations of the
man of carts, no inducement could again bring him within the unhallowed
precincts of our sculptor's work-room. In like manner, though at a
somewhat later period, while the artist was engaged upon the figure of
Public-domain text, read in full here on John Shaqi.
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