"The spirit of '76": Some recollections of the artist and the painting — John Shaqi
"The spirit of '76": Some recollections of the artist and the paintingDevereux, Henry Kelsey
History
"The spirit of '76": Some recollections of the artist and the painting
Devereux, Henry Kelsey
Willard, Archibald M., 1836-1918
In the original sketches for “Yankee Doodle,” Willard depicted three
grown men. When the humorous aspect faded from his conception, and
he decided to depict his father seriously, he conceived the idea of
including for his third figure a young lad instead of a grown man. In
this way, the picture would present three generations of patriots,
the grandfather in the center, the father at his side, and on his
right, the grandson looking up into grandpa’s face with confidence and
admiration.
In 1875, there was organized in Cleveland, Brooks School, a preparatory
school for boys from ten years upward. It was so named after its
inceptor, the Reverend John Brooks, who lost his life in a most
tragic manner while in Boston to secure a principal for the school. It
was a military school. In 1876, it was domiciled in its building on
Carnegie Avenue (then Sibley Street) near the present East Thirty-sixth
street. The spirit of the boys in the school was very military. They
had for instructor the late Captain F. A. Kendall, who served with
distinction during the Civil War. Three companies composed the Brooks
School Battalion. The first company composed of the older boys; the
second, of the intermediate; and the third, of the smaller boys in both
age and stature. For some reason the third company, in competitive
drills, always won over the other two. This was due undoubtedly to
the natural sympathy older people always have for the younger and
smaller when in competition. I was captain of the Third Company and it
was my observation that the little fellows usually got most of any
sympathy being given, yet, too, it was a noticeable fact that they
tried harder, paid closer attention, and usually drilled more perfectly
than the older boys. On the sixth of March, 1876, the Brooks School
Battalion gave a competitive drill at their armory, in compliment to
the Cleveland Grays, and as may be guessed every boy was on his toes
to show the hero soldiers in gray what could be done. Mr. Willard,
desiring a subject to use in his picture as a drummer boy, attended
this drill. Why he selected me never has been explained to me. Maybe
an incident in the drill of the Third Company had its effect. Anyway,
to this day, although nearly fifty years have passed, recalling the
happenings of that day brings to me a thrill for the earnest effort
and perfection of drill of those little fellows. The two companies
of larger boys had passed through their drill in a way to please
everybody. When it came time for the little fellows to march out,
every boy was keyed to the limit. They went through the set maneuvers
perfectly and when about finished, it popped into my head to try
something very difficult that the others had not tried. Marching down
the side of the hall in column of fours, and wheeling to the left, at
the end I gave the order “fours left into line and forward guide right
double-quick march.” So perfect was the spacing between the fours that
Public-domain text, read in full here on John Shaqi.
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