The Splendid Spur: Being Memoirs of the Adventures of Mr. John Marvel, a Servant of His Late Majesty King Charles I, in the Years 1642-3 — John Shaqi
The Splendid Spur: Being Memoirs of the Adventures of Mr. John Marvel, a Servant of His Late Majesty King Charles I, in the Years 1642-3Quiller-Couch, Arthur
History
The Splendid Spur: Being Memoirs of the Adventures of Mr. John Marvel, a Servant of His Late Majesty King Charles I, in the Years 1642-3
Quiller-Couch, Arthur
Great Britain -- History -- Charles I, 1625-1649 -- Fiction
“Now I beg your pardon a hundred times: but the chill is in my bones
worse than the ague;” and huddling my shoulders up, I counterfeited a
shivering fit with a truthfulness that surpris’d myself.
“Poor lad!”
“—And ’tis first hot and then cold all down my spine.”
“There, now!”
“-And goose flesh and flushes all over my body.”
“Dear heart-and to pass the night in this grave of a place!”
“—And by morning I shall be in a high fever: and oh! I feel I shall die
of it!”
“Don’t—don’t!” The honest girl’s eyes were full of tears. “I wonder,
now—” she began: and I waited, eager for her next words. “Sure,
master’s at cards in the parlor, and ’ll be drunk by midnight. Shalt
pass the night by the kitchen fire, if only thou make no noise.”
“But your mistress—what will she say?”
“Is in heaven these two years: and out of master’s speaking distance
forever. So blow out the light and follow me gently.”
Still feigning to shiver, I follow’d her down the ladder, and through
the stable into the open. The wind by this time had brought up some
heavy clouds, and mass’d them about the moon: but ’twas freezing hard,
nevertheless. The girl took me by the hand to guide me: for, save from
the one bright window in the upper floor, there was no light at all in
the yard. Clearly, she was in dread of her master’s anger, for we stole
across like ghosts, and once or twice she whisper’d a warning when my
toe kick’d against a loose cobble. But just as I seem’d to be walking
into a stone wall, she put out her hand, I heard the click of a latch,
and stood in a dark, narrow passage.
The passage led to a second door that open’d on a wide, stone-pav’d
kitchen, lit by a cheerful fire, whereon a kettle hissed and bubbled as
the vapor lifted the cover. Close by the chimney corner was a sort of
trap, or buttery hatch, for pushing the hot dishes conveniently into the
parlor on the other side of the wall. Besides this, for furniture, the
room held a broad deal table, an oak dresser, a linen press, a rack with
hams and strings of onions depending from it, a settle and a chair or
two, with (for decoration) a dozen or so of ballad sheets stuck among
the dish covers along the wall.
“Sit,” whisper’d the girl, “and make no noise, while I brew a rack-punch
for the men-folk in the parlor.” She jerked her thumb toward the buttery
hatch, where I had already caught the mur-mer of voices.
I took up a chair softly, and set it down between the hatch and the
fireplace, so that while warming my knees I could catch any word spoken
more than ordinary loud on the other side of the wall. The chambermaid
stirr’d the fire briskly, and moved about singing as she fetch’d down
bottles and glasses from the dresser——
“Lament ye maids an’ darters
For constant Sarah Ann,
Who hang’d hersel’ in her garters
All for the love o’ man,
All for the—”
She was pausing, bottle in hand, to take the high note: but hush’d
suddenly at the sound of the voices singing in the room upstairs—
Public-domain text, read in full here on John Shaqi.
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