The Splendid Spur: Being Memoirs of the Adventures of Mr. John Marvel, a Servant of His Late Majesty King Charles I, in the Years 1642-3Quiller-Couch, Arthur
History
The Splendid Spur: Being Memoirs of the Adventures of Mr. John Marvel, a Servant of His Late Majesty King Charles I, in the Years 1642-3
Quiller-Couch, Arthur
Great Britain -- History -- Charles I, 1625-1649 -- Fiction
“Vivre en tout cas
C’est le grand soulas
Des honnetes gens!”
“That’s the foreigners,” said the chambermaid, and went on with her
ditty——
“All for the love of a souljer
Who christening name was Jan.”
A volley of oaths sounded through the buttery hatch.
“—And that’s the true-born Englishmen, as you may tell by their speech.
’Tis pretty company the master keeps, these days.”
She was continuing her song, when I held up a finger for silence.
In fact, through the hatch my ear had caught a sentence that set me
listening for more with a still heart.
“D—n the Captain,” the landlord’s gruff voice was saying; “I warn’d ’n
agen this fancy business when sober, cool-handed work was toward.”
“Settle’s way from his cradle,” growl’d another; “and times enough I’ve
told ’n: ‘Cap’n,’ says I, ‘there’s no sense o’ proportions about ye.’ A
master mind, sirs, but ’a ’ll be hang’d for a hen-roost, so sure as my
name’s Bill Widdicomb.”
“Ugly words-what a creeping influence has that same mention o’ hanging!”
piped a thinner voice.
“Hold thy complaints, Old Mortification,” put in a speaker that I
recogniz’d for Black Dick; “sure the pretty maid upstairs is tender
game. Hark how they sing!”
And indeed the threatened folk upstairs were singing their catch very
choicely, with a girl’s clear voice to lead them—
“Comment dit papa
—Margoton, ma mie?”
“Heathen language, to be sure,” said the thin voice again, as the chorus
ceased: “thinks I to mysel’ ‘they be but Papisters,’ an’ my doubting
mind is mightily reconcil’d to manslaughter.”
“I don’t like beginning ’ithout the Cap’n,” observed Black Dick: “though
I doubt something has miscarried. Else, how did that young spark ride in
upon the mare?”
“An’ that’s what thy question should ha’ been, Dick, with a pistol to
his skull.”
“He’ll keep till the morrow.”
“We’ll give Settle half-an-hour more,” said the landlord: “Mary!” he
push’d open the hatch, so that I had barely time to duck my head out of
view, “fetch in the punch, girl. How did’st leave the young man i’ the
loft?’
“Asleep, or nearly,” answer’d Mary—
“Who hang’d hersel’ in her gar-ters,
All for the love o’ man—”
“—Anon, anon, master: wait only till I get the kettle on the boil.”
The hatch was slipp’d to again. I stood up and made a step toward the
girl.
“How many are they?” I ask’d, jerking a finger in the direction of the
parlor.
“A dozen all but one.”
“Where is the foreign guests’ room?”
“Left hand, on the first landing.”
“The staircase?”
“Just outside the door.”
“Then sing—go on singing for your life.”
“But—”
“Sing!”
“Dear heart, they’ll murder thee! Oh! for pity’s sake, let go my
wrist—
“‘Lament, ye maids an’ darters—’”
Public-domain text, read in full here on John Shaqi.
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