The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
Owing, no doubt, to the difficulty of procuring good binocular
pictures, Mr. Elliot did not see that his contrivance would be very
popular, and therefore carried it no farther. He had never heard of Mr.
Wheatstone’s stereoscope till he saw his paper on Vision reprinted in
the _Philosophical Magazine_ for March 1852, and having perused it, he
was convinced not only that Mr. Wheatstone’s theory of the instrument
was incorrect, but that his claim to the discovery of the dissimilarity
of the images in each eye had no foundation. He was, therefore, led
to communicate to the same journal the fact of his having himself,
thirteen years before, constructed and used a stereoscope, which was
still in his possession. In making this claim, Mr. Elliot had no
intention of depriving Mr. Wheatstone of the credit which was justly
due to him; and as the claim has been publicly made, we have described
the nature of it as a part of scientific history.
In Mr. Wheatstone’s ingenious paper of 1838, the subject of binocular
vision is treated at considerable length. He gives an account of
the opinions of previous writers, referring repeatedly to the works
of Aguilonius, Gassendi, and Baptista Porta, in the last of which
the views of Galen are given and explained. In citing the passage
which we have already quoted from Leonardo da Vinci, and inserting
the figure which illustrates it, he maintains that Leonardo da Vinci
was not aware “that the object (C in Fig. 2) presented a different
appearance to each eye.” “_He failed_,” he adds, “_to observe this,
and no subsequent writer, to my knowledge, has supplied the omission.
The projection of two obviously dissimilar pictures on the two retinæ,
when a single object is viewed, while the optic axes converge, must
therefore be regarded as a new fact in the theory of vision._” Now,
although Leonardo da Vinci does not state in so many words that he was
aware of the dissimilarity of the two pictures, the fact is obvious in
his own figure, and he was not led by his subject to state the fact
at all. But even if the fact had not stared him in the face he must
have known it from the Optics of Euclid and the writings of Galen,
with which he could not fail to have been well acquainted. That the
dissimilarity of the two pictures is _not a new fact_ we have already
placed beyond a doubt. The fact is expressed in words, and delineated
in drawings, by Aguilonius and Baptista Porta. It was obviously known
to Dr. Smith, Mr. Harris, Dr. Porterfield, and Mr. Elliot, before it
was known to Mr. Wheatstone, and we cannot understand how he failed
to observe it in works which he has so often quoted, and in which he
professes to have searched for it.
Public-domain text, read in full here on John Shaqi.
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