The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education — John Shaqi
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
This remarkable property of binocular vision being thus clearly
established by preceding writers, and admitted by himself, as the cause
of the vision of solidity or distance, Mr. Wheatstone, as Mr. Elliot
had done before him, thought of an instrument for uniting the two
dissimilar pictures optically, so as to produce the same result that is
obtained by the convergence of the optical axes. Mr. Elliot thought of
doing this by the eyes alone; but Mr. Wheatstone adopted a much better
method of doing it by reflexion. He was thus led to construct an
apparatus, to be afterwards described, consisting of two plane mirrors,
placed at an angle of 90°, to which he gave the name of _stereoscope_,
anticipating Mr. Elliot both in the construction and publication of his
invention, but not in the general conception of a stereoscope.
After describing his apparatus, Mr. Wheatstone proceeds to consider
(in a section entitled, “Binocular vision of objects of different
magnitudes”) “what effects will result from presenting similar images,
differing only in magnitude, to analogous parts of the retina.” “For
this purpose,” he says, “two squares or circles, _differing obviously_
but not extravagantly in size, may be drawn on two separate pieces of
paper, and placed in the stereoscope, so that the reflected image of
each shall be equally distant from the eye by which it is regarded. _It
will then be seen that notwithstanding this difference they coalesce
and occasion a single resultant perception._” The fact of coalescence
being supposed to be perfect, the author next seeks to determine the
difference between the length of two lines which the eye can force
into coalescence, or “the limits within which the single appearance
subsists.” He, therefore, unites two images of equal magnitude, by
making one of them visually less from distance, and he states that,
“by this experiment, _the single appearance of two images of different
size is demonstrated_.” Not satisfied with these erroneous assertions,
he proceeds to give a sort of rule or law for ascertaining the
relative size of the two unequal pictures which the eyes can force
into coincidence. The inequality, he concludes, must not exceed the
difference “between the projections of the same object when seen in the
most oblique position of the eyes (_i.e._, both turned to the extreme
right or the extreme left) ordinarily employed.” Now, this rule, taken
in the sense in which it is meant, is simply _a truism_. It merely
states that the difference of the pictures which the eyes _can_ make to
coalesce is equal to the difference of the pictures which the eyes do
make to coalesce in their most oblique position; but though _a truism_
it is not _a truth_, first, because no real coincidence ever can take
place, and, secondly, because no apparent coincidence is effected when
the difference of the picture is greater than what is above stated.
Public-domain text, read in full here on John Shaqi.
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