The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education — John Shaqi
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to educationBrewster, David
History
The stereoscope : $b its history, theory, and construction, with its application to the fine and useful arts and to education
Brewster, David
Stereoscope
From these principles, which will afterwards be shewn to be erroneous,
Mr. Wheatstone proceeds “to examine _why_ two dissimilar pictures
projected on the two retinæ _give_ rise to the perception _of an object
in relief_.” “I will not attempt,” he says, “at present to give the
complete solution of this question, which is far from being so easy
as at first glance it may appear to be, and is, indeed, _one of great
complexity_. I shall, in this case, merely consider the most obvious
explanations which might be offered, and shew their insufficiency to
explain the whole of the phenomena.
“_It may be supposed_ that we see only one point of a field of view
distinctly at the same instant, the one, namely, to which the optic
axes are directed, while all other points are seen so indistinctly that
the mind does not recognise them to be either single or double, and
that the figure is appreciated by successively directing the point of
convergence of the optic axes successively to a sufficient number of
its points to enable us to judge accurately of its form.
“That there is _a degree of indistinctness_ in those parts of the field
of view to which the eyes are not immediately directed, and which
increases with the distance from that point, cannot be doubted; and
it is also true that the objects there obscurely seen are _frequently
doubled_. In _ordinary_ vision, it may be said, this indistinctness and
duplicity are not attended to, because the eyes shifting continually
from point to point, every part of the object is successively rendered
distinct, and the perception of the object is not the consequence
of a single glance, during which _a small part of it only is seen
distinctly_, but is formed from a comparison of all the pictures
successively seen, while the eyes were changing from one point of an
object to another.
“_All this is_ IN SOME DEGREE _true, but were it entirely so_ no
appearance of relief should present itself when the eyes remain
intently fixed on one point of a binocular image in the stereoscope.
But in performing the experiment carefully, it will be found, provided
the picture do not extend far beyond the centres of distinct vision,
that the image is still seen single, and in relief, when in this
condition.”[22]
[22] _Phil. Trans._, 1838, pp. 391, 392.
Public-domain text, read in full here on John Shaqi.
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